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纽约_的女人们HD中字
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纽约_的女人们

埃娃ยท马特斯,Angela,Schmid,玛吉特ยท卡斯滕森

ๅนดไปฝ1977
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ๅฏผๆผ”赖纳ยท维尔纳ยท法斯宾德

ๅ‰งๆƒ…็ฎ€ไป‹

A film v๐Ÿ˜š\)๐Ÿค•er๐Ÿคซsi.\on of a pla#๐Ÿ™ƒy Fassbinder dire%๐Ÿ˜‡cted@๐Ÿ˜๐Ÿ˜™ ๐Ÿค’๐Ÿ™‚ ๐Ÿ˜i๐Ÿคข๐Ÿ˜ดn Hamburg, Clare Booth Luce's The Wom๐Ÿ˜ท๐Ÿ˜ชen. ๐Ÿ™ƒ)๐Ÿค’It๐Ÿ˜™= gave Fassbinder an.๐Ÿ˜†๐Ÿ˜ opp๐Ÿค’๐Ÿ˜™ortunity/๐Ÿคช to indulge his pa๐Ÿค—๐Ÿ™„๐Ÿ˜ทssion for wo๐Ÿ˜ด(๐Ÿ˜€rking with wo๐Ÿ˜‘[ ๐Ÿคจmen - t๐Ÿ˜‰๐Ÿ˜˜here ๐Ÿ˜Œ๐Ÿ˜˜$ are ๐Ÿ˜‚forty women ๐Ÿ˜in the play and no$:% men.[๐Ÿ˜›ใ€€ใ€€Th๐Ÿคญ=+๐Ÿค”e๐Ÿ˜Œ๐Ÿ˜„๐Ÿ˜‡. play d๐Ÿ˜๐Ÿค’ates๐Ÿ˜… ๐Ÿคฃ+๐Ÿ˜„ fro(^,m ๐Ÿ˜—๐Ÿคt๐Ÿ˜ถ ๐Ÿ˜ƒhe ๐Ÿ˜ด๐Ÿค’1@๐Ÿ˜‚930๐Ÿ˜ช๐Ÿ˜๐Ÿ˜ช)๐Ÿคฉs๐Ÿ˜ถ๐Ÿ˜™,.๐Ÿค— ๐Ÿค•๐Ÿคคand Fa๐Ÿค#๐Ÿคญssbinder was accus๐Ÿฅฐ_๐Ÿ˜šed by๐Ÿ˜…[๐Ÿ˜ the ๐Ÿ˜— cr๐Ÿ˜`iti\:,cs of๐Ÿคฉ/ bein๐Ÿค’๐Ÿ˜„๐Ÿคฉ๐Ÿ˜Œg an;๐Ÿคฎti๐Ÿ˜ฌ*-๐Ÿ˜ชwo๐Ÿ˜›\men (a frequ๐Ÿ˜„)๐Ÿ˜ƒen๐Ÿ˜„๐Ÿคจ^^t cr๐Ÿคฃ๐Ÿ˜‰itici]*๐Ÿคญsm o๐Ÿคฉ๐Ÿ˜†๐Ÿคญf๐Ÿ˜Œ๐Ÿ˜„๐Ÿ˜†๐Ÿคข late). As usual,๐Ÿ˜Œ he c๐Ÿ˜ฌhose to wor๐Ÿคช๐Ÿ˜˜๐Ÿคฅ\k against the text, and fro%๐Ÿค•๐Ÿคญ๐Ÿค•m this has๐Ÿ˜€ constru๐Ÿ™ƒcted ๐Ÿค—๐Ÿ˜#๐Ÿฅฐan ent%`ertai๐Ÿ˜‘n-๐Ÿค‘๐Ÿ™‚i๐Ÿ˜›๐Ÿ˜’๐Ÿ˜ถ๐Ÿคชng an๐Ÿ˜›๐Ÿคคd *en๐Ÿ˜‰gaging#, $๐Ÿคฅ๐Ÿค•๐Ÿคฉ^play abo๐Ÿคค๐Ÿค” ut l๐Ÿ˜š๐Ÿ˜‘ove between upper-class ๐Ÿคจ women with๐Ÿ˜†๐Ÿคฅ๐Ÿ˜‡ nothi๐Ÿ˜ฌ๐Ÿคชng better ๐Ÿค‘๐Ÿ˜ท#๐Ÿคฃ๐Ÿ˜†to do ?๐Ÿ˜‚than-๐Ÿคฃ๐Ÿค‘ sn๐Ÿ˜…๐Ÿคค๐Ÿคฅee๐Ÿฅฐ_๐Ÿค‘r at others ๐Ÿ˜Šwhen thi๐Ÿค‘๐Ÿ˜ngs go ๐Ÿคข?wro๐Ÿ˜ด;?ng wit๐Ÿ˜‡=h t๐Ÿ˜Š(he)#๐Ÿ˜˜@ir l๐Ÿ™„i๐Ÿ˜’`!๐Ÿ˜€ves and ๐Ÿ˜—l!*๐Ÿคข*ove๐Ÿ˜—๐Ÿค๐Ÿ˜†s.
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