This lo🤨)😙😅ng-lost😛 mas-😴t🤕😉er_^piece of hardco🤗🥰re gay eroti🤔c cinema ce:😅nters o😬n[😛% a 🤥😴hands😛🤨ome %you🙄🤐ng stud w😇😒🙂 🤫ho rides his motorc🤢😆.🤔y;😬@cl]😑🤕🤪e ]_#🤮t;hrough m🤣;yriad 😑🙂!sex😔😒ual😉😴🤨 encounters,😋🙄 f🤤r.😷😬om a soccer game’s🥰🤔😉😋🤮 locke*🤔🙂r - roo😌😍#m to😏😂🙄🤣 a phantasmagoric and deeply melancholy org🤫*y. A labyrinth ]of all-male😗🤒😁🙃 f *😷antasie*+😌s wh😁ose outstan#ding 😚🤨🤑beautie;]s😝_ a🤑😏lways en😍d up fa%ding a🤨😅way while le😂🤥aving their sensual protagonist🤩🤐😋 dealing w😁😚🤩/ith his own lonelines?😍s,🤤 EQUATIO-N was directed with🤑😗😚 😏\supr😪🤣😐😝🤗em🤕🙂e🤣😴🤒 😋😬gra😁 \ce by+🙄😜] the😷)😑🤭 myst!😉erio🙂]😜us *Di😏etrich d\😃e 🤢$+?.Velsa (aka Francis😴🤕🤫 Savel/Fran🤪^tz 🤑🤑^Sali%🤩eri).😌😇😬🤐 A for-😜
🤤mer [😔painter,_🙃 d😁🤮🤑😏😙e Vel sa was a_\ lso the owner=$🤮 a@nd artis!🤪tic😝 di?rector😃🤢 of La Grande Eug?🤤😏èn🤒😝e`😗, on🤮=🤥e of the f🙄#🤫)irst drag cabaret😅😙😜s i🤤😗😆n Par🤐😬😶🤥😴is. Y🤢🤮ears later, he co.😊llabo
😷r😛 😗😊at=😃🤫ed with Joseph Losey 😴😀`on MR.😝😀 KLE:IN 😝$(1976) a😜nd D.]O\N GIOVANNI (1979). 😉😄😑H 😀is 🤤🤢🤑one a😐@`nd only fil😌m, EQUATI+😑ON TO🤑 AN UNKN😇🤭OWN stands as one% of th😊😬_😊e[😋😇🥰 mos🙄😜,😬?t e 😍😝xtraordinary ero😚😝😗😚tic film[#s [o🤭😗f 🤭😘?all#😙 time.
“The mo(😪🤫st mel😒🤑😚🤮 anchol😶-ic 😑😜po🤔=# rn fil!😄😁😒😆m 😁I’ve🙃 ever seen. It’%😑s # ver😘/$🤕y s😃ad, a$🤩nd 🙄🤤aestheti]$cally beautiful. Just a 🤐😊😗young `man wander=😋ing t🙂🤥hroug🥰\😍h\😝 several🤐😴😋 depicti🤥🤗ons of l-😴🤣ove and?😙😙 c😃🙂😌😑😅horeo]grap!🤭?h@%ies 🤨😐 😝of l😑😬ov]e🙃-maki`!)n😙😝😚g😴^🤭😋; it’s 😗like a ceremony, a cere-mon-🤥y of f😬🤢a😛/😅nt/$` asies]=, especiall:🤐
+?y th-😅🤔e last seque🤒,+😆n🙂🤔🙄ce w🤭here the main ]😑:!character recalls al=[`l😘_#= his p😏😒😔=%re😁
😏vio😂🤩😍😐u#😔s fantasies, which come one by 🤪😘🤭one a😆🤒😄round his be
🤣d and mak😜e🤨😘🤩 lo😑🤑😄😴#ve to 😐😏😝him😷🤫. I think it’s one of the most beautif🙄ul film sequen,$🤭c😊🤫!e]😍s of French cinema.%” 🤥😂]–Yan%@n.🤒🤨 G🤮🤮😁onzal🤪😍)=ez