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一曲相๐Ÿคฃ++๐Ÿ˜š思未了情HD中字
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一曲相๐Ÿคฃ++๐Ÿ˜š思未了情

德克ยท博加德,卡普西尼,吉内瓦维ยท佩吉

ๅนดไปฝ1960
ๅœฐๅŒบ美国
่ฏญ่จ€英语
ๅฏผๆผ”查尔斯ยท维多,乔治ยท库克

ๅ‰งๆƒ…็ฎ€ไป‹

In a.: confus๐Ÿค”=๐Ÿ˜šed welter of artistic๐Ÿ˜š๐Ÿ˜ฌ๐Ÿ˜™ /๐Ÿ˜ฌ๐Ÿ˜™l๐Ÿคข๐Ÿ˜๐Ÿ˜‡;icence, thi๐Ÿค๐Ÿ˜‡๐Ÿ˜ฌ.s ?๐Ÿ˜›๐Ÿ˜Œ^is*^ th\e๐Ÿ˜ถ ๐Ÿ˜—$clas(sica l music b๐Ÿ˜ฌ๐Ÿ˜ฌi ๐Ÿ™‚opic which๐Ÿค๐Ÿ˜๐Ÿ˜ช ๐Ÿคฅ๐Ÿ˜m๐Ÿคชak]e^ ๐Ÿ˜”s 'Song to ๐Ÿ™‚๐Ÿค‘R.๐Ÿ˜’eme๐Ÿ˜ท?๐Ÿ˜‡mber๐Ÿ˜œ๐Ÿ˜Š$'lo๐Ÿ˜’๐Ÿ˜’๐Ÿ˜‰ok like ๐Ÿฅฐ^๐Ÿค”๐Ÿค•a mas๐Ÿ˜ด)terpiec๐Ÿคค๐Ÿ™„.e. Bogard* e suc๐Ÿคช๐Ÿ˜ceeds in dim,๐Ÿ˜‘inishi[+ng t?๐Ÿคข)he reputati๐Ÿค•๐Ÿ˜€on o๐Ÿ˜‘?)#f the mu๐Ÿ˜‚๐Ÿ˜ฌs๐Ÿคฎ:๐Ÿ˜šical col๐Ÿค”)o๐Ÿ˜†๐Ÿคฉ*+ssus who spa๐Ÿ˜ถ๐Ÿ˜^nned๐Ÿ˜” E๐Ÿ˜™;=๐Ÿ˜‘๐Ÿ˜„urop๐Ÿ˜!๐Ÿ˜ท)ean music for most( o๐Ÿคช#f the๐Ÿคซ๐Ÿ˜Œ๐Ÿ˜€ ๐Ÿคจ ๐Ÿค”19th Cen=๐Ÿค”๐Ÿคข๐Ÿ˜štu๐Ÿ˜๐Ÿ˜ถ๐Ÿคช๐Ÿ˜…๐Ÿฅฐry. The๐Ÿ˜‚:๐Ÿคฃ absurd๐Ÿคญ+[ities of the^๐Ÿคจ๐Ÿ˜†๐Ÿ˜‘ plo๐Ÿค’๐Ÿ˜›๐Ÿ˜”t, the ๐Ÿคขse๐Ÿคฅ๐Ÿ˜™quoia-like ๐Ÿ˜›๐Ÿ˜Š๐Ÿ™ƒquality of the ac]_ting a๐Ÿ˜ช๐Ÿคคnd th, ๐Ÿค—e pr)evalence of historical,musical๐Ÿ˜˜! and linguistic a_@nachronisms comb๐Ÿ™ƒ/?i ๐Ÿค•๐Ÿ˜—ne to e ๐Ÿคฅ๐Ÿ˜‡๐Ÿคฃl! #evate t๐Ÿ™ƒ=his of,๐Ÿ˜fering to the status of an A1 turkey.How a pianist_*๐Ÿค—_ of ๐Ÿ˜๐Ÿ˜œ๐Ÿ˜ฌthe stature of Bo(๐Ÿคฃ๐Ÿคจ[let came ๐Ÿ˜”@ to be\๐Ÿ˜‹๐Ÿ˜ด\ mixed up in this fiasco. c[๐Ÿคชa๐Ÿคค๐Ÿ˜…๐Ÿ˜ชn _only be ๐Ÿคฅ๐Ÿ˜™ gues๐Ÿ˜‚๐Ÿค‘se๐Ÿ˜ท๐Ÿ˜‹+d at. The ch๐Ÿ˜’aracter๐Ÿ™‚๐Ÿคisation of ๐Ÿ˜™๐Ÿ˜†๐Ÿ˜šLi๐Ÿ˜›๐Ÿ˜Š[^szt fa๐Ÿ™ƒ๐Ÿ˜›๐Ÿ˜†^i๐Ÿ˜‰;l๐Ÿ˜…s to convey even a minute imp๐Ÿคฎ๐Ÿคช๐Ÿ˜’re%๐Ÿ˜ท?ssio๐Ÿ˜›๐Ÿ˜”n๐Ÿ˜) :]`,of hi๐Ÿ˜š๐Ÿค’๐Ÿ˜Š๐Ÿ˜s ]๐Ÿ˜„๐Ÿ˜‚=๐Ÿ˜magnetic ๐Ÿ˜…๐Ÿค”๐Ÿ™‚personality and๐Ÿ˜ƒ๐Ÿค‘:@ ๐Ÿ˜…๐Ÿ™‚)the๐Ÿ˜› ๐Ÿ˜†๐Ÿ˜$:๐Ÿ˜ดoverwhelm๐Ÿ˜ฌ)ing e๐Ÿคคffec๐Ÿ˜‡๐Ÿ˜ดt /๐Ÿค—๐Ÿ˜ทthat he๐Ÿ˜š.]#๐Ÿค’ had๐Ÿคฎ๐Ÿ˜ช๐Ÿ˜… ๐Ÿ˜Š๐Ÿ™„๐Ÿ˜ชon not o๐Ÿ˜ƒnly his au: d๐Ÿ˜†๐Ÿ˜™๐Ÿ˜€iences, ๐Ÿคญ:@๐Ÿ˜but also๐Ÿ˜ his pianis๐Ÿคฃ๐Ÿคฉtic rivals.Clara S๐Ÿฅฐchuman๐Ÿ˜ฌ๐Ÿ˜ƒn herself๐Ÿคญ๐Ÿ˜ said ๐Ÿค‘/th@:a ๐Ÿคจ๐Ÿ˜œt 'w๐Ÿค—๐Ÿ˜\e^๐Ÿฅฐ toil ๐Ÿคฉ+over that which Li_๐Ÿค‘szt reads at sig๐Ÿ˜ด$ht!' Whilst the emphasis s๐Ÿ˜^eem)_:s t๐Ÿ™‚]๐Ÿ˜˜๐Ÿ˜…o fo๐Ÿคญ]๐Ÿ˜ทcus on h๐Ÿค’is roman,๐Ÿ˜ถ๐Ÿ˜ด๐Ÿ˜‰]tic pr-๐Ÿ˜š๐Ÿ˜ด๐Ÿค”o๐Ÿ˜ด__wess,`๐Ÿคชr๐Ÿ˜—ather_๐Ÿ˜”๐Ÿคฎ than h=*๐Ÿค—is status as the๐Ÿ˜‰๐Ÿค”@ gr๐Ÿ˜ช๐Ÿ˜‡๐Ÿ˜๐Ÿ˜™ea๐Ÿ˜=:๐Ÿ˜ชtes t p๐Ÿ˜Š:ianis๐Ÿ˜ถ๐Ÿ˜ถ๐Ÿ˜ทt ๐Ÿ˜™๐Ÿ˜of ๐Ÿคญ]๐Ÿ˜œthe ๐Ÿคญ๐Ÿ˜”century o๐Ÿ˜˜๐Ÿ˜„๐Ÿ˜”r,ar๐Ÿ˜›guably, of`๐Ÿค”๐Ÿ˜ a๐Ÿค—๐Ÿ™ƒ๐Ÿค—๐Ÿ™‚ll time, one feels๐Ÿ™„//,nev๐Ÿ˜Œ๐Ÿ˜˜๐Ÿ˜Š๐Ÿ˜ertheless, ๐Ÿ˜‘๐Ÿ˜‘that t๐Ÿค”๐Ÿ˜’[his was an oppo-๐Ÿ˜„rtunit๐Ÿฅฐ/๐Ÿคญ๐Ÿ˜™@y lo๐Ÿค‘๐Ÿ˜†๐Ÿ˜Œ๐Ÿ˜…%st.
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