2026ๅนด05ๆœˆ10ๆ—ฅๆ—ฅ ๆ˜ŸๆœŸ
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关于在短时间๐Ÿคฎ๐Ÿ˜Œ๐Ÿ™ƒ๐Ÿ˜ช内的๐Ÿคจ\๐Ÿ˜Š某几个人的经过HD中字
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关于在短时间๐Ÿคฎ๐Ÿ˜Œ๐Ÿ™ƒ๐Ÿ˜ช内的๐Ÿคจ\๐Ÿ˜Š某几个人的经过

ๅนดไปฝ1959
ๅœฐๅŒบ法国
่ฏญ่จ€法语
ๅฏผๆผ”居伊ยท德波

ๅ‰งๆƒ…็ฎ€ไป‹

Voice ๐Ÿ˜”๐Ÿ˜ฌ1 (m๐Ÿ˜๐Ÿคฉal๐Ÿ˜€_๐Ÿ˜‹?e p๐Ÿค”,๐Ÿคญrofe=๐Ÿ˜™s๐Ÿ˜Š๐Ÿ˜‚) sional ๐Ÿ˜๐Ÿ˜†๐Ÿ˜‰an;๐Ÿ˜‹๐Ÿ˜’`n๐Ÿค๐Ÿ˜Œ๐Ÿ˜†ouncer t๐Ÿ˜‡๐Ÿ˜›ype) ; Thi๐Ÿคญ๐Ÿ˜†s neighborhood:$(1) w๐Ÿ˜€#\as ma๐Ÿ˜ช\๐Ÿ˜š๐Ÿ˜—de f [or,๐Ÿ˜๐Ÿ˜Š the wretche๐Ÿ˜Š๐Ÿคฉ๐Ÿ˜”d ๐Ÿ˜™๐Ÿ˜œd)๐Ÿ˜…i`!g๐Ÿ˜ถ$@]nity of the pet๐Ÿ˜”๐Ÿ˜™;ty bourg eoisie๐Ÿคจ, for๐Ÿคญ๐Ÿ˜Œ๐Ÿ˜‡๐Ÿ˜š respe%๐Ÿค‘!๐Ÿค‘ct ๐Ÿคฎ^a๐Ÿ˜๐Ÿ˜‹bl๐Ÿ˜†๐Ÿ˜œ๐Ÿคญ๐Ÿค’e o#(๐Ÿ˜๐Ÿ˜ƒccupat.๐Ÿ˜ฌ๐Ÿคฃio*๐Ÿฅฐns ๐Ÿ˜˜๐Ÿคฅ+a(๐Ÿคซnd intellect๐Ÿ˜’$%u๐Ÿ˜(al tourism. The ๐Ÿ˜‘๐Ÿคฃs๐Ÿ˜ฌ.๐Ÿ™‚edentary popula๐Ÿค—๐Ÿคซtio๐Ÿ˜„๐Ÿ˜ƒ๐Ÿ˜›n o๐Ÿ˜‘๐Ÿ˜‰f t๐Ÿค—he up๐Ÿ˜ช(per floo๐Ÿ˜™๐Ÿ˜‘๐Ÿคข๐Ÿ˜๐Ÿ˜r+\๐Ÿคฃs was shel])๐Ÿ˜‘๐Ÿค—te]?๐Ÿ˜€red from the๐Ÿคญ^๐Ÿ˜ถ๐Ÿคช i๐Ÿ˜ƒ๐Ÿ˜nfluences o๐Ÿฅฐ๐Ÿ˜f the s@๐Ÿคฉtr๐Ÿ˜Š ๐Ÿค‘ee๐Ÿฅฐt. This ne๐Ÿ˜„๐Ÿ˜‹ig๐Ÿคข๐Ÿ˜’๐Ÿคชhborho๐Ÿ˜‹!(๐Ÿ˜ทo๐Ÿ˜…(๐Ÿ™‚๐Ÿคขd has remained the ๐Ÿ˜Š๐Ÿ˜‹,%same. It ๐Ÿ˜‡; was the strange setting of *๐Ÿ˜‹our story, where #[a systemat๐Ÿ˜ช๐Ÿ˜›๐Ÿคฎ๐Ÿคฉ_ic questio]ni๐Ÿคฎ๐Ÿ˜ดng of all the dive๐Ÿ˜’๐Ÿ™‚_r๐Ÿ˜Œ๐Ÿ˜?sio๐Ÿ˜‹๐Ÿคขns๐Ÿ˜ช)๐Ÿ˜‡ and$= works of a societ๐Ÿ™ƒ๐Ÿ˜ช๐Ÿ˜ƒy,๐Ÿคฉ+ a๐Ÿ˜š tot๐Ÿคฉ๐Ÿ˜ฌ๐Ÿ˜€๐Ÿ˜ƒal critiq๐Ÿฅฐue of its ide๐Ÿ˜†๐Ÿค—a of๐Ÿ™ƒ,( @/h๐Ÿ˜ด๐Ÿ˜ถ๐Ÿ˜š๐Ÿคฅa๐Ÿคค๐Ÿคค๐Ÿค•ppin๐Ÿคญ๐Ÿ˜‰ess, was๐Ÿคฃ๐Ÿคข(. expressed in acts.ใ€€๐Ÿคฅ;ใ€€These pe[๐Ÿ˜„๐Ÿค๐Ÿ˜›op*le ๐Ÿ˜๐Ÿคชalso] sc๐Ÿ˜orned s]๐Ÿค•๐Ÿ˜ช๐Ÿ˜Šubjective profu๐Ÿ˜ถ๐Ÿค”$ndit๐Ÿค•๐Ÿ˜y. They $.๐Ÿ˜ชwere ๐Ÿ˜„๐Ÿ˜ฌ๐Ÿ˜Šinterested ๐Ÿคจ๐Ÿ˜in not๐Ÿ˜‚๐Ÿคชh:๐Ÿ˜ing but an adequat๐Ÿ™ƒ!e a๐Ÿ˜™n๐Ÿ˜ช๐Ÿ˜„d concrete๐Ÿ˜‚๐Ÿค”๐Ÿ˜†๐Ÿ˜Œ expressio๐Ÿ˜Š_๐Ÿ˜˜n of th);ems๐Ÿค•๐Ÿ˜elve๐Ÿ˜ƒ๐Ÿ˜Šs.ใ€€ใ€€Voice 2 (Debord, monotone๐Ÿ˜๐Ÿ˜Š๐Ÿค’) ๐Ÿ˜ด๐Ÿคฉ(๐ŸคฃHuman๐Ÿคญ๐Ÿ˜ฌ๐Ÿ˜† bei๐Ÿ˜Š๐Ÿ˜‚ngs a ๐Ÿคr_?e not fu๐Ÿ˜lly@;๐Ÿ™‚ c๐Ÿ˜…๐Ÿ˜„๐Ÿ˜˜onsc^๐Ÿค”ious of ๐Ÿ˜™๐Ÿค’\their real๐Ÿ˜๐Ÿ™‚๐Ÿ˜‹ l๐Ÿ˜—๐Ÿ˜ƒife - u๐Ÿค’๐Ÿ˜ชsually g:๐Ÿ˜rop๐Ÿ˜ด๐Ÿคชing in the dark; overwhelmed ๐Ÿ˜›)by the consequences of t๐Ÿ˜„\heir acts;+๐Ÿ˜‡๐Ÿค‘ at ever;@๐Ÿ˜y moment groups and individuals fin\d themselve(๐Ÿคค๐Ÿค•๐Ÿ˜‘s c๐Ÿ˜‰๐Ÿ˜ท/onfronted with r๐Ÿค”?esults๐Ÿ˜๐Ÿค’๐Ÿคค*, t๐Ÿ˜ƒ?๐Ÿ˜hey have๐Ÿ˜ฌ,๐Ÿคช๐Ÿคญ๐Ÿ˜‡ no /t๐Ÿ˜„๐Ÿ˜† wished\๐Ÿค—.๐Ÿ˜„$.ใ€€*๐Ÿ˜™ใ€€V๐Ÿ™„oice 1 They sai d that oblivion was their rul๐Ÿคฃ๐Ÿ™ƒ๐Ÿ˜‰in๐Ÿ™„g pa๐Ÿคข๐Ÿค๐Ÿ˜ss๐Ÿ˜„:ion. They wanted to reinvent ever yth๐Ÿ˜ถ ๐Ÿ˜€[๐Ÿ˜‡ing each๐Ÿ˜‡๐Ÿ˜™๐Ÿ˜‰ =๐Ÿฅฐday๐Ÿ˜; to become the masters and poss๐Ÿ˜’๐Ÿค’๐Ÿ˜„.๐Ÿคe^๐Ÿ˜s๐Ÿ˜‡๐Ÿ˜”sors?^๐Ÿ˜ƒ๐Ÿ˜‘ of thei๐Ÿค’r own ๐Ÿ˜™๐Ÿคข๐Ÿค•li๐Ÿ˜›ves.ใ€€ใ€€J,๐Ÿ˜ฌ๐Ÿ˜ทu๐Ÿ˜ด๐Ÿ˜ฌ s๐Ÿคข] ๐Ÿ˜‡๐Ÿ˜™t as one d;oe๐Ÿคญ๐Ÿ˜ถs not ๐Ÿคจ๐Ÿคช๐Ÿ˜๐Ÿ˜œjudge a m๐Ÿ˜„#an according to the conce`๐Ÿ˜‰pt๐Ÿค‘๐Ÿ˜‘:ion he๐Ÿ˜ช?๐Ÿ˜ has of๐Ÿ˜…๐Ÿ˜œ๐Ÿ˜‡๐Ÿคฃ ๐Ÿค+๐Ÿ™‚hi๐Ÿ˜ถ๐Ÿค๐Ÿ˜Šmse๐Ÿคฃ%%๐Ÿคขlf๐Ÿ˜€\*#๐Ÿ˜ด, one c๐Ÿ˜œ+๐Ÿ˜annot ju๐Ÿ™‚๐Ÿคฅdge+๐Ÿ˜% such pe๐Ÿ˜™๐Ÿ˜†riods of transi๐Ÿคฃ^tio๐Ÿ˜Œ_n a๐Ÿคข๐Ÿค—ccording t๐Ÿ˜†๐Ÿคฎo t๐Ÿค’๐Ÿ™„๐Ÿฅฐ๐Ÿ™‚heir own conscious?*๐Ÿ˜ฌness; ?[on the contrary,๐Ÿ˜™๐Ÿ˜ on๐Ÿค—๐Ÿคช๐Ÿ˜›๐Ÿ˜—๐Ÿ˜‘e must๐Ÿคซ] explain๐Ÿ˜„ th๐Ÿ˜”๐Ÿ˜ช๐Ÿ˜„๐Ÿ˜‹e/๐Ÿค’๐Ÿ˜— ๐Ÿค— consciousness(๐Ÿคจ +through\)๐Ÿคฉ the c๐Ÿคซ๐Ÿคฉ๐Ÿ˜œontradictions ๐Ÿค%๐Ÿ™„๐Ÿ˜ชof materi:๐Ÿ˜›a๐Ÿ˜๐Ÿ˜‡],;l li๐Ÿ˜œ@\fe, through t#๐Ÿ˜€he๐Ÿ˜๐Ÿคฃ co๐Ÿ˜ƒ!nfl๐Ÿ˜—ic๐Ÿ˜‹ ๐Ÿ˜‹%t bet๐Ÿ˜„,๐Ÿคฎ๐Ÿ˜ดween soc๐Ÿค”ial๐Ÿ˜™ condi๐Ÿค‘๐Ÿค‘t/?๐Ÿ˜[ions a๐Ÿ˜—nd the f๐Ÿ˜:orces of social production.ใ€€ใ€€๐Ÿคซ๐Ÿค•The pr๐Ÿ˜š๐Ÿ˜†o[๐Ÿค•๐Ÿ˜gr๐Ÿคฃ๐Ÿคซ๐Ÿ˜‡ess ac๐Ÿ˜œ๐Ÿคฅhi.๐Ÿค’๐Ÿค•eved in the domination of n๐Ÿ˜‘๐Ÿคข๐Ÿ˜›ature w๐Ÿ˜Šas ๐Ÿคขnot yet matched by a corr๐Ÿคฉ๐Ÿ˜š๐Ÿ˜™esponding\/ li%๐Ÿคจberatio๐Ÿ˜‹๐Ÿค—n of everyday  life. Yout ๐Ÿ˜…๐Ÿ™‚๐Ÿคฅh ๐Ÿ˜†]passed away ๐Ÿคค๐Ÿฅฐ๐Ÿ˜‚๐Ÿ˜€among t@๐Ÿ˜†]๐Ÿ˜›he vario` us controls of resi๐Ÿ˜ท๐Ÿ˜‰ !(gnati๐Ÿ˜€(o๐Ÿ˜]n.๐Ÿ˜‹๐Ÿ˜Œใ€€ใ€€๐Ÿ˜๐Ÿคฉ๐Ÿ˜‘Our๐Ÿคข๐Ÿ˜œ`. =ca`๐Ÿ˜‹๐Ÿ˜š_#mera )has captured f๐Ÿ˜—๐Ÿ™‚/%or you a!? few aspe๐Ÿคฎ๐Ÿ˜‰๐Ÿคซcts(๐Ÿคค๐Ÿค—#[ o๐Ÿ™ƒ๐Ÿ™‚๐Ÿ™‚f a prov;๐Ÿ˜isional microsociety.๐Ÿ˜.๐Ÿ˜‘# ใ€€ใ€€๐Ÿ˜‡๐Ÿ˜š๐Ÿ˜‚๐Ÿ˜ฌThe knowledge๐Ÿ˜™๐Ÿคฅ๐Ÿ™ƒ๐Ÿ˜Œ of e๐Ÿ˜ฌ)mp๐Ÿ˜˜๐Ÿคฅ๐Ÿ˜œ]iric)al๐Ÿ˜š. !๐Ÿ™„[fact๐Ÿ˜) ๐Ÿ˜™s remai$๐Ÿ˜œ๐Ÿ˜”๐Ÿ˜ns ๐Ÿ˜‘๐Ÿคซ๐Ÿ˜„abstra^๐Ÿ˜„=๐Ÿค’ct๐Ÿค”/๐Ÿ˜Š๐Ÿคญ= and superfi๐Ÿ˜—๐Ÿ˜œ๐Ÿ˜œ๐Ÿ˜†cia๐Ÿ˜‹๐Ÿค‘,l / as long as๐Ÿคซ๐Ÿคฎ๐Ÿ˜„] it- is not concretiz(๐Ÿ˜ƒ%=*ed by๐Ÿ˜‚๐Ÿคฅ๐Ÿ˜š its in[(๐Ÿ˜’(tegration into[:๐Ÿ˜Š๐Ÿ˜€ the =[^*๐Ÿ˜w๐Ÿ˜„ hole โ€^% ๐Ÿคช๐Ÿ˜…which alone pe ๐Ÿ˜rmi ;๐Ÿ˜—\ts ๐Ÿ™‚]the supe๐Ÿ˜’๐Ÿค—;๐Ÿค‘rsession ๐Ÿ˜™๐Ÿ˜›๐Ÿ˜™๐Ÿคฅof๐Ÿ™ƒ๐Ÿฅฐ๐Ÿ˜ partial๐Ÿ˜ฌ๐Ÿค”๐Ÿค•๐Ÿ˜œ and abstra๐Ÿค—๐Ÿ˜๐Ÿ˜‰ct p๐Ÿ˜‡๐Ÿ˜›`๐Ÿค—roblems so a๐Ÿ˜๐Ÿ˜Šs ๐Ÿ˜€๐Ÿ˜’to;]๐Ÿ˜ถ `\arri๐Ÿค๐Ÿฅฐv๐Ÿ˜›๐Ÿคจe a `๐Ÿ˜‰๐Ÿ˜™t:๐Ÿคญ t๐Ÿ˜heir๐Ÿ˜๐Ÿ˜”๐Ÿ˜™ concrete esse๐Ÿ˜๐Ÿ˜๐Ÿ˜œn-๐Ÿ˜ชce๐Ÿ˜„, and๐Ÿ˜…๐Ÿฅฐ impli๐Ÿ™ƒ-๐Ÿ˜’[citly!๐Ÿ˜ท๐Ÿคข% a;+t ๐Ÿคฎtheir ๐Ÿ™„๐Ÿคฉ.๐Ÿ˜ช%meaning.๐Ÿ˜‡๐Ÿ˜ƒ๐Ÿ˜…ใ€€ใ€€T+;๐Ÿ˜ดhis(?๐Ÿค—๐Ÿค”๐Ÿ˜œ gro๐Ÿ˜ช๐Ÿ˜up was on ๐Ÿ˜๐Ÿ˜›the ma๐Ÿ˜ท๐Ÿคจrgins of t%๐Ÿค‘๐Ÿค‘๐Ÿคซhe ๐Ÿคฅe๐Ÿ˜’conomy๐Ÿ˜ช๐Ÿ˜›. I =t tended towar๐Ÿ˜—๐Ÿค”d a:๐Ÿคช๐Ÿ˜ฌ role of p๐Ÿ˜”๐Ÿ˜—ur๐Ÿ˜‰๐Ÿ˜ด]๐Ÿ™‚_e๐Ÿ˜ con๐Ÿ˜ฌ๐Ÿ˜‡sump:_ ๐Ÿคฎtion,๐Ÿ˜‰ and fir๐Ÿ˜†st of all the #free consu:mp๐Ÿคข,๐Ÿคฃ๐Ÿ˜t๐Ÿ˜šion๐Ÿ˜‚#๐Ÿ™„ of its ๐Ÿฅฐ๐Ÿ˜‚tim_๐Ÿ™„๐Ÿคฅ๐Ÿค‘e. It๐Ÿ˜ท๐Ÿค‘๐Ÿ˜ช๐Ÿค• th๐Ÿ˜‡+us found it]๐Ÿคฎ๐Ÿคฉ+self๐Ÿคจ๐Ÿค”\ dire`๐Ÿคช๐Ÿ˜ctly enga๐Ÿคซ/๐Ÿ˜ช?ged in q ๐Ÿ˜ualitative v๐Ÿ˜€๐Ÿ˜๐Ÿค’๐Ÿ˜„@ar๐Ÿ™„๐Ÿคค๐Ÿ™ƒiati๐Ÿค•๐Ÿคญ๐Ÿ˜’๐Ÿ˜‚ons of eve;๐Ÿค”ryd๐Ÿ˜ดay li๐Ÿ˜š๐Ÿ˜ถ๐Ÿคฃ/fe but d^( eprived of an!๐Ÿ˜€๐Ÿ˜€y means to intervene ๐Ÿ˜ท๐Ÿ˜‚in them.ใ€€ใ€€The grou๐Ÿค‘๐Ÿ˜‘p ra๐Ÿคฅ๐Ÿ˜Œ๐Ÿ˜n๐Ÿ˜‰+ged over a ver,๐Ÿ˜ด-y sm-๐Ÿ˜ทall area.๐Ÿ˜”๐Ÿ˜”+ T๐Ÿคค๐Ÿค”.he ` ๐Ÿคญ๐Ÿคฃ๐Ÿ˜œsame t๐Ÿ˜Š๐Ÿ˜˜;๐Ÿคซ^imes๐Ÿ˜๐Ÿ˜ถ b๐Ÿคช๐Ÿ˜ดrough๐Ÿ˜ท)๐Ÿค‘t them ba ck t ๐Ÿ˜™๐Ÿคซ๐Ÿ˜”o the๐Ÿ˜—๐Ÿ˜ถ same plac+๐Ÿค”!$๐Ÿ˜’es. ๐Ÿค—N_.,o one ๐Ÿ˜‰went ๐Ÿ˜ฌ๐Ÿ˜…/to ๐Ÿ˜๐Ÿ˜ท+bed early. Discussion on the mean๐Ÿค‘%๐Ÿคช๐Ÿ˜€ing of all t๐Ÿ˜”๐Ÿคญ๐Ÿ˜Š๐Ÿคญ๐Ÿ˜Šhis ๐Ÿ™„continued...๐Ÿ˜˜๐Ÿคฅใ€€ใ€€๐Ÿคญ?Vo๐Ÿ˜ถ๐Ÿ˜ถ$๐Ÿ˜Ši* `๐Ÿ˜’ce 2 Our life is a journey โ€ In๐Ÿ˜Œ๐Ÿคค๐Ÿคฎ the๐Ÿ˜๐Ÿ˜„๐Ÿ˜๐Ÿ™ƒ ๐Ÿคจ๐Ÿฅฐ๐Ÿ˜”winte)r]๐Ÿ˜€ a๐Ÿ˜’nd the night. โ€ W๐Ÿ˜˜e seek o๐Ÿ™ƒ๐Ÿ˜š@u]๐Ÿคช๐Ÿ˜š=๐Ÿคซr pas(๐Ÿคฎs+[๐Ÿ˜ag๐Ÿ˜ฌ๐Ÿ˜ e\๐Ÿคค.๐Ÿคฃ ..๏ฟฝใ€€ใ€€๐Ÿ˜ถ๐Ÿ˜œ๐ŸฅฐVoice 1๐Ÿ˜@๐Ÿคฉ๐Ÿค• The abandoned liter๐Ÿ˜› ature neverth๐Ÿคจ๐Ÿ˜‰๐Ÿ˜’eles๐Ÿ˜š_๐Ÿ˜…s ๐Ÿค๐Ÿ˜ดexer@๐Ÿ˜”๐Ÿ˜ƒted a delaying acti๐Ÿ˜ƒ๐Ÿค•๐Ÿ˜ท๐Ÿ˜ชon on new aff๐Ÿ˜‰๐Ÿค”๐Ÿคจectiv๐Ÿ˜†e ,,formulati๐Ÿ˜๐Ÿ˜‰๐Ÿคค๐Ÿ˜ทons.ใ€€ใ€€V๐Ÿคค+$^oice 2๐Ÿคจ- There w๐Ÿคค๐Ÿ˜as the fatigue;๐Ÿคช and the cold ๐Ÿ˜‡ ๐Ÿ˜—of ๐Ÿคจth๐Ÿ˜ฌ๐Ÿ˜‰e m๐Ÿ˜„orn๐Ÿ˜š_ing in this mu๐Ÿคจ๐Ÿ˜„c.`(๐Ÿ˜…h๐Ÿ˜ด ๐Ÿ˜ช๐Ÿค’๐Ÿ˜š-trav๐Ÿ˜…$`ersed l+๐Ÿ˜ƒabyrinth, l๐Ÿค’.๐Ÿ˜œike an๐Ÿคฎ๐Ÿค‘ enigma ;that we had to r๐Ÿคค๐Ÿ˜‹๐Ÿคesol๐Ÿ™ƒ[ve. It๐Ÿคฅ๐Ÿฅฐ๐Ÿ˜’๐Ÿ˜›๐Ÿค’ was a l+]๐Ÿ˜‹๐Ÿ˜œ(ook๐Ÿค—๐Ÿคข๐Ÿคขing-glass r-๐Ÿ™ƒ[%๐Ÿ™„eal๐Ÿ˜ช=๐Ÿคคity throug๐Ÿ˜๐Ÿ˜‹h๐Ÿ˜š which ๐Ÿ˜ช๐Ÿ˜™we had to d๐Ÿ˜œ๐Ÿ˜ฌ๐Ÿ˜iscover t๐Ÿ˜ด /he p๐Ÿ˜…๐Ÿ˜„๐Ÿ˜otential_๐Ÿ˜‹ richness ๐Ÿ˜œ๐Ÿฅฐ๐Ÿ˜‘๐Ÿ˜of re๐Ÿฅฐality.ใ€€ใ€€On th;๐Ÿ˜e ba^๐Ÿค‘๐Ÿ˜nk ๐Ÿ˜๐Ÿ˜™of the river even๐Ÿ˜”i๐Ÿ˜„ng began onc ๐Ÿฅฐ๐Ÿคฅ๐Ÿ˜๐Ÿค”e ag๐Ÿ˜—ai-๐Ÿ™ƒ = n๐Ÿ™„๐Ÿ™ƒ; a๐Ÿ˜๐Ÿ˜†๐Ÿ˜ถ๐Ÿ˜ถnd cares๐Ÿ˜‰๐Ÿ˜‡๐Ÿคฃ๐Ÿคซse[^s; and the impo๐Ÿคฉ๐Ÿ˜๐Ÿ˜ดrtance of ๐Ÿ˜๐Ÿ˜…๐Ÿ˜‹a๐Ÿ˜Œ๐Ÿคช ๐Ÿ˜œ๐Ÿ˜๐Ÿคขworld w๐Ÿ˜๐Ÿ˜‡๐Ÿ˜Œ๐Ÿ˜œ%ith๐Ÿ˜ƒ^ .out๐Ÿฅฐ๐Ÿค‘๐Ÿ˜ช ๐Ÿ˜im๐Ÿค•๐Ÿ˜‘:๐Ÿ˜portance๐Ÿ˜š%๐Ÿ˜ถ๐Ÿค‘๐Ÿ˜—. Just as the ey\e๐Ÿคฃ๐Ÿ˜‚๐Ÿ™‚+s๐Ÿ™„๐Ÿคจ๐Ÿค—_ ha๐Ÿค๐Ÿค‘ve a blurr๐Ÿค—!ed v๐Ÿคช๐Ÿ˜‡isio๐Ÿคซn of many things^ and can see .๐Ÿ˜;๐Ÿ˜”on๐Ÿค‘๐Ÿค•๐Ÿ˜l๐Ÿ˜Š#๐Ÿ˜ถ๐Ÿ˜y one !๐Ÿ˜‡๐Ÿ™ƒ๐Ÿ˜œcl๐Ÿ˜ถ๐Ÿ˜ชea[)๐Ÿ˜ถrl๐Ÿ™„y, so the๐Ÿคซ_ will ca๐Ÿ˜‚๐Ÿ˜ช^n strive ๐Ÿ˜‰o๐Ÿ˜‹)๐Ÿ˜’nly incompletely to๐Ÿ˜‘๐Ÿ˜†๐Ÿ˜๐Ÿคฎward diverse objec)]=ts and, can completely love only one at a time.ใ€€ใ€€Vo๐Ÿคญ๐Ÿ˜†ice 3_๐Ÿ˜„๐Ÿ™„๐Ÿฅฐ (young๐Ÿคจ ๐Ÿคจ girl) No one counted on ๐Ÿ˜‡๐Ÿ˜ท$the* future. It ๐Ÿ˜›๐Ÿ˜‚woul๐Ÿ˜’/.๐Ÿ˜”d neve๐Ÿ˜š๐Ÿ˜+r b๐Ÿ™„๐Ÿ˜œ๐Ÿ˜e p๐Ÿ˜Š๐Ÿ˜ช๐Ÿ˜”๐Ÿ˜‹^ossib#le to be t ๐Ÿค๐Ÿคชogether later, o/)$๐Ÿ˜‹r`๐Ÿ˜— anywhe;re ๐Ÿคฉelse. Ther๐Ÿคข,e๐Ÿคฎ๐Ÿ˜‰ would never be a greater freed^om.ใ€€ใ€€Voice 1 The re๐Ÿ˜ถ๐Ÿ˜’fusal o๐Ÿคซf time and ๐Ÿ˜˜%o:๐Ÿคซf growing old automatically limited encounters in ๐Ÿ˜”)๐Ÿ™„[this na?rrow, contingent z๐Ÿคฃ,one, whe%re what ๐Ÿ˜‡๐Ÿคซwas lacking was๐Ÿค‘๐Ÿ™‚๐Ÿคค๐Ÿ˜ถ felt as  i๐Ÿค๐Ÿค’)rreparable. The extreme*,๐Ÿคฉ precariousness of the mea_ns of getting ๐Ÿ˜ถ_by with๐Ÿ˜†out worki \ng was at๐Ÿ˜‡ ๐Ÿ˜ƒ.๐Ÿคฉthe roo)๐Ÿค—๐Ÿ˜€๐Ÿคฎt๐Ÿ˜‰\๐Ÿ˜—๐Ÿค’ o๐Ÿ˜f th๐Ÿค•is imp๐Ÿ˜%atienc๐Ÿคขe wh๐Ÿคญ๐Ÿ™„๐Ÿ˜‘๐Ÿคคi๐Ÿคฎ๐Ÿ˜…๐Ÿค’๐Ÿ˜”๐Ÿ˜‡ch ,\๐Ÿค‘made๐Ÿ˜€(_ ex๐Ÿ˜)cesse๐Ÿคข?.๐Ÿค•s nec๐Ÿคญessary and b๐Ÿ˜reaks defin\๐Ÿ˜๐Ÿ˜Œ๐Ÿคญ๐Ÿคญitive๐Ÿ˜‚ ๐Ÿ˜†=.ใ€€ใ€€Voice 2 One ๐Ÿคค๐Ÿ˜‚neve๐Ÿ˜ƒ๐Ÿคชr reall y contest)๐Ÿ™ƒ๐Ÿค’ s an or๐Ÿ˜ฌ๐Ÿคฅg^๐Ÿ˜ani๐Ÿค—.๐Ÿค’๐Ÿ˜ดzation of existence๐Ÿ˜‡๐Ÿค‘ w!๐Ÿฅฐithout contes])ting a ๐Ÿค๐Ÿ˜›/๐Ÿ˜ทll๐Ÿ˜› of:- #๐Ÿค•that or/๐Ÿฅฐ๐Ÿ™‚ganiza]t[๐Ÿ™ƒ๐Ÿ˜ion๐Ÿ˜ƒ'๐Ÿค”๐Ÿค•\s forms of=๐Ÿ˜๐Ÿ˜š๐Ÿค— la๐Ÿคญ๐Ÿ™ƒnguag.๐Ÿ˜‘e _๐Ÿค”(.ใ€€ใ€€๐Ÿค”๐Ÿ˜๐Ÿ˜›Voice 1 Whe๐Ÿ˜˜n ^๐Ÿคข๐Ÿ˜„fre๐Ÿ˜\๐Ÿคฉe๐Ÿ˜#do๐Ÿคช`๐Ÿค”๐Ÿ˜šm is ]+prac๐Ÿ˜‡๐Ÿคชtice++๐Ÿ˜˜d+% in a ๐Ÿคฉ@*๐Ÿ˜œclosed circl#๐Ÿ˜ด๐Ÿ˜ท , ๐Ÿ˜ƒ?it fades%๐Ÿ˜„๐Ÿ˜™ i๐Ÿ˜nto๐Ÿค\ a d+ream, bec๐Ÿคญ*o`\๐Ÿฅฐmes a mere repres๐Ÿ˜‹๐Ÿคญ๐Ÿค•e๐Ÿ˜๐Ÿ˜…๐Ÿ™ƒn*๐Ÿ˜‚ tatio๐Ÿค•)n of itself. T๐Ÿคฉ๐Ÿ˜š?he ๐Ÿ˜๐Ÿ˜—๐Ÿ˜Š*ambiance of ๐Ÿ˜š๐Ÿค•๐Ÿ˜play is ๐Ÿค‘by _๐Ÿ˜‰^natu๐Ÿ˜‘๐Ÿ˜ด๐Ÿ˜re u๐Ÿ˜Š๐Ÿ˜’๐Ÿค—๐Ÿ˜›nstabl๐Ÿ˜’๐Ÿ˜„๐Ÿคช๐Ÿ˜Še. At any +๐Ÿค—๐Ÿ™ƒmoment ord@inary life๏ฟฝ can pre๐Ÿ˜/๐Ÿ˜vail onc๐Ÿ˜Š๐Ÿ™„e ag๐Ÿ˜‰๐Ÿ˜˜๐Ÿ˜^๐Ÿ˜ฌai=๐Ÿ˜”n.๐Ÿคช๐Ÿ˜ช๐Ÿ˜š Th๐Ÿ˜๐Ÿค•๐Ÿ˜™๐Ÿ˜‹e geogr๐Ÿคขaphi๐Ÿค‘$๐Ÿ˜™],cal limita๐Ÿค•tion ๐Ÿ˜œo.๐Ÿค—/๐Ÿ˜ถf play is eve(.[๐Ÿ˜”n mo๐Ÿค๐Ÿค’๐Ÿ˜ทr๐Ÿ˜๐Ÿคซe striking than ๐Ÿ˜ด๐Ÿ˜†its๐Ÿ˜›๐Ÿคข๐Ÿคฉ tempor!`๐Ÿ˜‰๐Ÿค—al๐Ÿคฃ limi๐Ÿ˜‡tation.๐Ÿ˜ช Any _๐Ÿ˜€g๐Ÿคค๐Ÿ˜ท๐Ÿ˜™am;(๐Ÿ˜๐Ÿค—e ๐Ÿคฉta๐Ÿ˜ฌ๐Ÿ˜—kes_๐Ÿ˜Œ ]place wit๐Ÿ˜ชhin the cont๐Ÿ˜š๐Ÿ˜„@๐Ÿค‘our๐Ÿ˜„๐Ÿ˜Œs,๐Ÿ™ƒ ๐Ÿ˜‘๐Ÿคซ๐Ÿคฉ๐Ÿ˜[of it๐Ÿค• s s๐Ÿคฅ๐Ÿ˜‰๐Ÿคข๐Ÿ˜›๐Ÿ˜œpatial domain.%:+ ๐Ÿคฎ๐Ÿ˜‰๐Ÿค’Ar๐Ÿ˜๐Ÿคฃound t;%he +๐Ÿ˜ท๐Ÿ˜‚๐Ÿค‘ne๐Ÿ˜[๐Ÿ˜š*ighb๐Ÿค’๐Ÿ™„orhood, ๐Ÿ˜˜;๐Ÿคคarou๐Ÿ˜‘\n`!d i@๐Ÿ˜๐Ÿ˜‡๐Ÿ˜ดts fleeting and thr$๐Ÿ˜ถeaten๐Ÿค๐Ÿ˜Œ๐Ÿ˜๐Ÿคญed immobility, str๐Ÿ™ƒ๐Ÿ˜œe๐Ÿฅฐ๐Ÿคtch#)ed๐Ÿ˜: a half๐Ÿ˜‹:-kno๐Ÿ˜ƒ*wn ci(๐Ÿคซty whe-@(re people m๐Ÿ˜€]๐Ÿ˜™et only by chance, l#๐Ÿฅฐosi ๐Ÿ˜‰ng their ๐Ÿ˜‰๐Ÿ˜…way ๐Ÿคฃ๐Ÿ˜forever.ใ€€#!๐Ÿ˜‡ใ€€T *he girls who found their way๐Ÿ˜‘๐Ÿ˜’ t`๐Ÿคข๐Ÿคขh๐Ÿ˜ฌ๐Ÿฅฐ`๐Ÿคชer๐Ÿฅฐ๐Ÿ˜›๐Ÿ˜™e, because the๐Ÿคซ+y:๐Ÿ˜ฌ!๐Ÿค were legally ` ๐Ÿ˜๐Ÿค’๐Ÿ˜under the c๐Ÿคค๐Ÿค”๐Ÿ˜ontrol๐Ÿคจ๐Ÿ˜๐Ÿ˜‹( o๐Ÿ˜ถ๐Ÿ˜™f th๐Ÿ˜›๐Ÿฅฐ๐Ÿคคe-๐Ÿคข๐Ÿคซir families u๐Ÿ˜†๐Ÿค—] ๐Ÿคจntil th๐Ÿค’(-e @๐Ÿ˜๐Ÿ˜„๐Ÿ˜›๐Ÿ™„age of ๐Ÿคช๐Ÿ˜‘eig๐Ÿ˜›๐Ÿ˜„๐Ÿ˜ดhtee๐Ÿค”#`๐Ÿ˜ถ๐Ÿ™ƒn, were often recap๐Ÿ˜€t=๐Ÿ™„๐Ÿ˜ถured by the defenders of that dete%/๐Ÿคชstable inst๐Ÿ˜ƒ(^ituti๐Ÿ˜€on. T๐Ÿ˜š๐Ÿ˜—$hey wer๐Ÿคช๐Ÿ™‚-)`e general๐Ÿ˜ถ๐Ÿ˜„ly confined unde?๐Ÿ˜ด$๐Ÿ™„r the guard of those cr ๐Ÿ™ƒ๐Ÿ™‚eatu๐Ÿ˜›๐Ÿ˜‚๐Ÿค—res who among ^#all /๐Ÿ˜†the๐Ÿค๐Ÿค—๐Ÿ˜Œ bad products of ๐Ÿ™ƒ๐Ÿคค๐Ÿคจ๐Ÿค’a b๐Ÿคข๐Ÿ˜„๐Ÿ˜๐Ÿ˜œad s ociety are t)*he most ugly๐Ÿ˜‰๐Ÿค—๐Ÿ™„ and repugnant๐Ÿ™„]๐Ÿ˜‚ nuns.ใ€€ใ€€What๐Ÿ˜๐Ÿ˜‹ ๐Ÿ˜‡?๐Ÿคญ๐Ÿ˜‚usually m๐Ÿคค(ake๐Ÿคช๐Ÿ™ƒ๐Ÿคฅ๐Ÿ˜ถ#s documentaries so e๐Ÿคฎ๐Ÿ˜ƒ๐Ÿ™ƒasy t๐Ÿ˜ถ๐Ÿค’๐Ÿ˜„๐Ÿคฎo๐Ÿ˜ƒ` unde๐Ÿ˜ฌ/rstan๐Ÿ˜_d is the arbitrary li๐Ÿ˜€๐Ÿ˜…๐Ÿ˜†mitation of their su*๐Ÿ˜ฌbject matter. They d`;escribe๐Ÿ˜š( th๐Ÿ˜Še a$!๐Ÿคtomi๐Ÿ™„๐Ÿ˜† z๐Ÿ˜›๐Ÿ˜ทat๐Ÿคช )i๐Ÿคon of ๐Ÿ˜š๐Ÿ˜„soc๐Ÿค•๐Ÿ˜‰ial fu๐Ÿฅฐ๐Ÿ˜œ๐Ÿ˜๐Ÿ˜€nctions ๐Ÿค”.=/๐Ÿ˜and the i ๐Ÿ˜ƒ๐Ÿ˜Œs=olation of th๐Ÿคฃ!๐Ÿค\๐Ÿ˜‘eir [๐Ÿ˜€๐Ÿ˜๐Ÿคญproducts. One๐Ÿคจ[๐Ÿ˜‚ \?๐Ÿ˜ช๐Ÿ˜—can๐Ÿ˜Œ๐Ÿ˜ƒ,๐Ÿ˜ in contrast, envisage๐Ÿ˜ถ๐Ÿ˜ด๐Ÿคฅ the entire complexity o๐Ÿ˜™๐Ÿ˜‡f a ?๐Ÿ˜—๐Ÿ˜™mo.๐Ÿ™‚$ ๐Ÿ˜‹ment which is n๐Ÿ˜Š๐Ÿคฅ)๐Ÿ˜ถot resolved ๐Ÿ˜‡๐Ÿค—๐Ÿคฎinto a ๐Ÿคซ๐Ÿค”๐Ÿ˜ชwork,๐Ÿค’๐Ÿ˜†๐Ÿ˜ด๐Ÿคช๐Ÿ˜™ a ๐Ÿ˜…๐Ÿฅฐ๐Ÿค‘mo๐Ÿคซ๐Ÿคจ$me๐Ÿ˜Œ,nt๐Ÿค” whose moveme]๐Ÿ˜ท๐Ÿคฃ๐Ÿ˜Œnt i@ndissolu๐Ÿ˜:bly c๐Ÿ™„ontai๐Ÿ˜›๐Ÿคญns๐Ÿ˜™๐Ÿ˜ƒ๐Ÿค” ๐Ÿ™‚f๐Ÿ™‚๐Ÿคช๐Ÿ˜๐Ÿ˜€`acts^๐Ÿคฎ and๐Ÿ˜›๐Ÿ˜ท values `๐Ÿ˜ด๐Ÿคฃ๐Ÿ˜›and whos=@`e m๐Ÿ˜œ๐Ÿ˜eaning ๐Ÿ˜˜do(๐Ÿ˜‰es ;%๐Ÿ˜’not๐Ÿค—๐Ÿ˜™ y๐Ÿคค๐Ÿ˜ถ@et๐Ÿ˜ด] appear.๐Ÿ˜”๐Ÿค— The s๐Ÿ˜๐Ÿ˜๐Ÿ˜™๐Ÿ˜Š ubjec+t @`\๐Ÿ˜†mat!๐Ÿ˜†ter #๐Ÿ˜Œof `๐Ÿคญ t@๐Ÿ˜?h๐Ÿ˜ e documentary would the+๐Ÿ˜ฌn b๐Ÿ™ƒ๐Ÿ˜œe this confused tota;-l๐Ÿคฃ๐Ÿ˜™:ity.ใ€€ใ€€๐Ÿ˜๐Ÿ˜‡ ๐Ÿคญ๐Ÿ˜‘Voice 2 The era had arrived a๐Ÿค๐Ÿ˜†:t a le๐Ÿคซ๐Ÿค‘๐Ÿ™ƒvel of kn๐Ÿค”๐Ÿ˜œowledge๐Ÿ˜๐Ÿ˜‘ and technical me๐Ÿ˜›(๐Ÿ˜˜ans [๐Ÿ˜ฌ๐Ÿคขtha(๐Ÿ˜™๐Ÿ˜œt m ๐Ÿ˜๐Ÿ˜„ade pos๐Ÿ˜sib]l๐Ÿคช๐Ÿ˜”e, and increasi๐Ÿ˜ท๐Ÿ˜‰ngly neces+๐Ÿคซs๐Ÿ˜๐Ÿคฃ๐Ÿ˜ถary, a direct construc๐Ÿ˜—๐Ÿ˜„๐Ÿคจt๐Ÿ˜๐Ÿ˜‡?๐Ÿ˜„io`๐Ÿคจn๐Ÿคค๐Ÿค‘ o๐Ÿค’๐Ÿ˜˜f all๐Ÿคช๐Ÿ˜๐Ÿ˜š_ aspect+๐Ÿ˜›๐Ÿคญs of a l\^ibera`+๐Ÿค”๐Ÿ˜ชted ๐Ÿคฃ๐Ÿ™„a๐Ÿ˜‰*f๐Ÿ˜:๐Ÿ˜˜fective๐Ÿ˜@๐Ÿ˜‡ and ๐Ÿ˜’\practical๐Ÿ™ƒ(?๐Ÿ˜ด? ๐Ÿคช๐Ÿ˜ท๐Ÿ˜š๐Ÿฅฐexistence. The appearance of these๐Ÿค•๐Ÿคฎ) superio๐Ÿค•๐Ÿ˜ด๐Ÿค”r m๐Ÿคจ๐Ÿคฎeans o?๐Ÿ˜œ๐Ÿ˜€f acti#๐Ÿ˜‚ ๐Ÿ˜†on_๐Ÿ˜Š๐Ÿคฉ], stil๐Ÿ˜๐Ÿ˜‘l u๐Ÿคจ๐Ÿ˜๐Ÿฅฐ]๐Ÿ˜€nused b๐Ÿ˜‹๐Ÿ˜†๐Ÿ˜—๐Ÿคซe .๐Ÿ™‚?ca[๐Ÿคฉ๐Ÿ˜€us๐Ÿ˜š๐Ÿ˜…e of ๐Ÿ™„+the delay๐Ÿ˜‰๐Ÿคฃs i๐Ÿค—.n! the๐Ÿ˜๐Ÿ˜’๐Ÿคฎ๐Ÿ˜ด๐Ÿ˜‚ projec ]๐Ÿ˜‘๐Ÿ˜‡t of liquidatin๐Ÿ˜ƒ๐Ÿคช๐Ÿค”๐Ÿ˜—g the :๐Ÿ˜„c๐Ÿคค๐Ÿ˜œommodity ๐Ÿ˜๐Ÿ˜‰ec$๐Ÿ˜Š?onomy, had already cond๐Ÿคฃ;emne/๐Ÿ˜Š#๐Ÿ˜ฌd๐Ÿ˜…๐Ÿ˜€ ๐Ÿ˜๐Ÿ˜‰๐Ÿ˜’aesthetic activi๐Ÿคฅ๐Ÿ˜ช*๐Ÿคซ๐Ÿ˜ty๐Ÿค’๐Ÿ˜(, whose ambit+.๐Ÿ˜†๐Ÿ˜›ions ๐Ÿ˜ฌ๐Ÿค•and powers were ๐Ÿ˜ฌ bot๐Ÿ˜‚(.๐Ÿ˜‘๐Ÿ˜”h๐Ÿค•๐Ÿคจ๐Ÿคค_๐Ÿค’ outda ,@/t๐Ÿ˜…๐Ÿคญed. Th e decay of art๐Ÿ˜™๐Ÿค‘ ๐Ÿคช\and o+f all the values#^๐Ÿ˜ฌ of form]๐Ÿคซe๐Ÿคจ?r mores had๐Ÿค—๐Ÿ˜„๐Ÿ˜š formed our soci๐Ÿ˜‰ ol๐Ÿค—^ogical ๐Ÿ˜ƒ๐Ÿ˜ด%๐Ÿ˜„backgro?๐Ÿคญ๐Ÿคซund. Th๐Ÿ˜Š๐Ÿ˜‰e ru๐Ÿคซ๐Ÿ˜‚๐Ÿ˜ดling class's mo๐Ÿ™‚๐Ÿ˜[n๐Ÿ˜˜๐Ÿ˜ฌ\o-;po๐Ÿ˜ฌ๐Ÿค•/ly over the instruments  we n๐Ÿ˜€๐Ÿคชee๐Ÿค•@,d๐Ÿ˜ชed ๐Ÿคฎ,#to contr๐Ÿ™ƒ๐Ÿคฅol in orde๐Ÿ˜˜-`r๐Ÿ˜š๐Ÿ˜”๐Ÿ˜š to ?.๐Ÿคฅ๐Ÿ˜‘realize th๐Ÿ˜„e$๐Ÿ˜Œ collect๐Ÿ˜Œive *#art๐Ÿค’]! of ou๐Ÿ˜‡%๐Ÿ™„r time ha?d exclu๐Ÿ˜ชded us from a cultural pr๐Ÿ˜‘/๐Ÿ˜ชodu๐Ÿ˜ดct)๐Ÿ˜™i;[on off,๐Ÿคจ#๐Ÿ˜‡i$๐Ÿ˜๐Ÿคค๐Ÿคฎ=c๐Ÿ˜๐Ÿคญially devoted to illu๐Ÿ˜€๐Ÿ˜šst๐Ÿ˜Š?rat๐Ÿค”=๐Ÿ˜”in๐Ÿ˜๐Ÿ˜‰g @๐Ÿคค],,a๐Ÿ˜=nd repeating t๐Ÿ˜ช๐Ÿคฅhe pas๐Ÿคฎ๐Ÿ˜Š๐Ÿ˜›=t. An art๐Ÿค‘๐Ÿ˜ด film on this ge๐Ÿคจ๐Ÿ˜๐Ÿคฉne^๐Ÿ˜Šr๐Ÿ˜š๐Ÿ˜a๐Ÿ˜š๐Ÿ˜Œt๐Ÿ˜๐Ÿ˜‰๐Ÿ™ƒ i+๐Ÿ˜Œ`*on can o%๐Ÿ˜˜^nl๐Ÿ˜ทy๐Ÿ˜„๐Ÿค‘@ be a film on its absen๐Ÿ˜Š๐Ÿค•๐Ÿคฉc`e :of re๐Ÿ˜›๐Ÿ˜†al creat๐Ÿ˜š_ions.ใ€€ใ€€Everyone unth๐Ÿ˜Š๐Ÿ˜‰๐Ÿ˜†in๐Ÿ˜€?๐Ÿ˜kingly followed t๐Ÿ˜‹/h๐Ÿ˜†๐Ÿ˜‡e๐Ÿ˜ paths learned once and for ๐Ÿ˜—๐Ÿ™„all, to ?๐Ÿค‘their work๐Ÿค‘๐Ÿ˜› *๐Ÿคซand ๐Ÿคฎ?t๐Ÿ˜—๐Ÿ˜œ๐Ÿ˜‰๐Ÿ˜ท๐Ÿค”h๐Ÿ˜š๐Ÿค•๐Ÿ˜€e๐Ÿ˜‡๐Ÿค—๐Ÿ˜ถir h๐Ÿ˜ถome, to ๐Ÿ˜Œ๐Ÿค‘their predict;able fu๐Ÿคญ๐Ÿ˜t๐Ÿ˜—๐Ÿ˜—๐Ÿค’๐Ÿ˜ถ๐Ÿ˜‘ure. For th`๐Ÿ˜‘๐Ÿคญ๐Ÿ˜…e๐Ÿ˜ถ*^๐Ÿ˜œm duty had]๐Ÿ˜ด๐Ÿ™ƒ๐Ÿ˜ถ already bec๐Ÿ˜˜๐Ÿค”o๐Ÿ˜„๐Ÿ˜œ,๐Ÿค”me a๐Ÿ˜ฌ !๐Ÿ˜…-habit, ๐Ÿ˜‰and h๐Ÿ˜abit a *๐Ÿ˜’๐Ÿคจdu๐Ÿ˜Š\ty. They#  did ๐Ÿ˜ทnot see๐Ÿ˜ฌ๐Ÿค’ th๐Ÿค—๐Ÿค”e deficiency of  their ๐Ÿคฎ;c๐Ÿ˜™๐Ÿ˜‚๐Ÿ˜›๐Ÿ˜™it$๐Ÿคฎ๐Ÿ˜ดy.^: They thought ๐Ÿ˜‡๐Ÿ˜ท๐Ÿ˜‹๐Ÿคคthe def@icien๐Ÿค๐Ÿคญ๐Ÿ˜‘#cy of?,๐Ÿ˜, thei/r lif๐Ÿ˜Š๐Ÿ˜œ๐Ÿคฅ๐Ÿ˜ถe wa๐Ÿค—^s natural. We =[wanted t๐Ÿ˜„๐Ÿคฉ๐Ÿ˜›o break ou๐Ÿคt of๐Ÿ˜’? ๐Ÿ˜ƒ๐Ÿค”๐Ÿคซthis conditioning, )๐Ÿค’in ๐Ÿ˜ƒ๐Ÿ™ƒqu๐Ÿ˜‚๐Ÿ˜„= e,\๐Ÿ˜‹๐Ÿค’st of ๐Ÿ™ƒ๐Ÿ˜)๐Ÿ˜‹an!๐Ÿ˜.othe$=r u[๐Ÿ˜๐Ÿ˜Šse of the urban landscape, in q๐Ÿ˜’=uest of new passio๐Ÿคคn๐Ÿคฎ;๐Ÿค•๐Ÿค—๐Ÿค‘s. T+๐Ÿ˜_[๐Ÿค•he a#!๐Ÿคซ๐Ÿ˜ถtmosp๐Ÿ˜—`๐Ÿ˜^here of a few #,! plac๐Ÿค’๐Ÿ™‚๐Ÿคคes g!๐Ÿ˜๐Ÿ˜™a๐Ÿ˜‰๐Ÿ˜Šve๐Ÿคค๐Ÿ˜†๐Ÿ˜Š us intimations of ๐Ÿฅฐ๐Ÿ˜˜t๐Ÿ™ƒ(๐Ÿ˜‚๐Ÿ˜š he futur๐Ÿ˜ช๐Ÿ˜e power๐Ÿค”๐Ÿ˜—s o! ๐Ÿ˜„,f an architecture it wo?๐Ÿ˜ถu๐Ÿ˜l=_d be nec*๐Ÿ˜†*e]`๐Ÿ™„ssary to create to be ๐Ÿ™„(the suppo% ๐Ÿคจrt and fr๐Ÿ˜‚๐Ÿ˜˜๐Ÿคฉa๐Ÿ˜ƒ๐Ÿ˜`mewor๐Ÿคฉ๐Ÿคฃ๐Ÿ˜šk for ๐Ÿ˜l%_๐Ÿคฃess med`๐Ÿ˜”iocre gam๐Ÿ˜$๐Ÿ˜’es. We could exp@๐Ÿคซ๐Ÿค’๐Ÿค‘ect nothing of anythin,=-g we had not ou๐Ÿคฃrs๐Ÿ˜œ๐Ÿ˜™_elves altered. ๐Ÿ˜Š๐Ÿ˜˜Th /`/๐Ÿ˜e @๐Ÿคจurban e๐Ÿ˜๐Ÿคจ๐Ÿคฃ(nv๐Ÿค•.ironment proclaimed the๐Ÿ˜ or,๐Ÿคญders๐Ÿคญ ๐Ÿ˜‰ and taste๐Ÿคฎ๐Ÿ˜„s of t` he ruling[๐Ÿ˜Œ๐Ÿคญ: s๐Ÿ™ƒ ๐Ÿ˜ท^ociety\๐Ÿ˜†๐Ÿ˜ช๐Ÿค— just a๐Ÿ˜@_s ๐Ÿค‘violently as t๐Ÿ™‚๐Ÿ˜‘!๐Ÿ˜†he *๐Ÿ˜ดnewspapers. It is m๐Ÿคฅ๐Ÿค’an who m ๐Ÿ˜=akes the unit#๐Ÿ˜—๐Ÿ˜ƒy ๐Ÿ˜™๐Ÿคญ[of; the wo๐Ÿ˜‡๐Ÿ˜‹๐Ÿ˜ทrld, ๐Ÿ˜™ but man has e๐Ÿ˜™๐Ÿ˜‘xte๐Ÿ˜ด๐Ÿ˜‰#n๐Ÿ˜™.ded h๐Ÿ˜ท๐Ÿค—]imself everywhe๐Ÿค‘re. People can see n๐Ÿ˜๐Ÿค‘๐Ÿคจo๐Ÿ˜‰๐Ÿฅฐthing ar๐Ÿคจ\oun;#๐Ÿค•๐Ÿคฎ*d them that i๐Ÿ˜ฌ๐Ÿ˜™๐Ÿคขs ๐Ÿคคnot their๐Ÿ˜Š๐Ÿ˜‡ o๐Ÿ˜ถ๐Ÿ˜ด[๐Ÿคญwn ima๐Ÿ˜—๐Ÿคฎ๐Ÿค•๐Ÿค•ge; ๐Ÿค’ever๐Ÿ˜„ything spe?๐Ÿ˜ƒa๐Ÿคฎ๐Ÿค”๐Ÿ˜ชks๐Ÿ˜™๐Ÿ˜›๐Ÿ˜ช- t๐Ÿ˜ท!๐Ÿ˜Œo them๐Ÿ˜๐Ÿ˜Œ of them๐Ÿ˜’+๐Ÿ˜™๐Ÿ˜šsel๐Ÿ˜’๐Ÿ˜š๐Ÿค—ves. Their ๐Ÿ™„๐Ÿ˜ฌ*๐Ÿคซvery la ๐Ÿค๐Ÿ˜ถndscape i๐Ÿ˜ƒ\s@ al๐Ÿ˜‘:๐Ÿคข๐Ÿ˜™i๐Ÿ˜๐Ÿ˜ƒ๐Ÿ˜ve. There were obstac๐Ÿคฅ๐Ÿ˜ถ+le๐Ÿ˜ช-๐Ÿคฃ๐Ÿคชs eve;๐Ÿคฃrywhere. There wa๐Ÿคช๐Ÿ˜ด๐Ÿ™ƒs ๐Ÿค๐Ÿ˜‰๐Ÿ˜ša cohesi(๐Ÿ˜‚on )๐Ÿคin ๐Ÿฅฐ๐Ÿ˜˜!/๐Ÿ˜œthe obstac+:๐Ÿคขles of ๐Ÿ˜ช๐Ÿค‘all typ,๐Ÿ™ƒ๐Ÿ˜’e๐Ÿ˜‹[s. They (๐Ÿค” ๐Ÿคญmaintaine$d the coherent reig*๐Ÿฅฐn of pover๐Ÿ˜ช๐Ÿ˜‰๐Ÿ˜’ty!๐Ÿ˜‰_๐Ÿ˜. Ev# ๐Ÿค’$eryt๐Ÿคฅ๐Ÿ˜€๐Ÿค•hing๐Ÿ˜‹๐Ÿคฉ๐Ÿคซ being conne/:๐Ÿ˜†cted, it was n๐Ÿ˜ฌ๐Ÿ™‚๐Ÿค—eces๐Ÿคญ๐Ÿ˜€_(sa๐Ÿคค๐Ÿ˜‡๐Ÿคค๐Ÿ˜ry.๐Ÿ˜—๐Ÿ˜‘ to cha๐Ÿ˜nge everythi๐Ÿ˜ƒ^๐Ÿ™„๐Ÿ˜ถng by a uni-๐Ÿคฎ:tary%๐Ÿ˜ strugg_$le, or not=๐Ÿ˜€๐Ÿ˜šhing. ๐Ÿ˜›๐Ÿคฅ?I๐Ÿ˜ƒ๐Ÿ˜Œt ๐Ÿ˜„๐Ÿ˜‰๐Ÿ˜›was ne!cessary to link up๐Ÿคข๐Ÿค’- with the mas๐Ÿคชses, but we were surrounded by /๐Ÿค”๐Ÿ™„sleep.ใ€€ใ€€Voice 3 Th- e di[?๐Ÿค’๐Ÿค”ctator๐Ÿ˜shi๐Ÿ˜’๐Ÿ™ƒ๐Ÿ˜p of the pr_oletari๐Ÿคจ๐Ÿคญ๐Ÿ˜Š๐Ÿ™‚at is๐Ÿคฎ*_ a๐Ÿ˜œ๐Ÿ™ƒ d๐Ÿ˜—esperat)๐Ÿค‘๐Ÿ˜‰=e struggle,[๐Ÿ˜-๐Ÿค blood;๐Ÿ˜‚(:y](/ and bloodless, v๐Ÿคฅ ๐Ÿ˜€?io๐Ÿ˜”lent๐Ÿคฃ๐Ÿ˜ช an๐Ÿ˜ƒ,)๐Ÿ˜d peacef,๐Ÿฅฐ ๐Ÿ˜‚๐Ÿคฉul, mili/๐Ÿ˜‘tary ,๐Ÿ˜…^a:๐Ÿ˜œ๐Ÿ˜‘๐Ÿ˜nd eco๐Ÿคฎ@๐Ÿ˜nomic, educational and adm๐Ÿ˜ช๐Ÿคinistrative ๐Ÿคฉ๐Ÿค‘/, a๐Ÿ™„๐Ÿคฎ!๐Ÿ˜˜๐Ÿ˜‡gainst ]๐Ÿ˜”the ,๐Ÿ˜fo๐Ÿ™„๐Ÿ˜€๐Ÿ˜ฌ[rces and tradi,๐Ÿคฉ_tions _๐Ÿ˜o๐Ÿคฎ๐Ÿคฅ*f the๐Ÿ˜ƒ:; old w๐Ÿคฅ๐Ÿ˜orl๐Ÿคข๐Ÿ˜‰๐Ÿ˜ท_๐Ÿ˜Œd๐Ÿ˜ช.ใ€€ใ€€Voic!๐Ÿ˜‘e 1 In th๐Ÿ˜›๐Ÿคซ^\is c?((๐Ÿ˜„ou๐Ÿ˜ด^ntry it is ^ ๐Ÿ˜’o๐Ÿ˜ฌ๐Ÿ˜—nce again the me๐Ÿ˜œ๐Ÿ˜‰๐Ÿคคn of order who h๐Ÿคฅ๐Ÿค’a๐Ÿ˜‰๐Ÿ˜”-v๐Ÿ˜‰๐Ÿคคe ๐Ÿ˜ฌ\rebelled. They have reinforced thei\๐Ÿ˜›๐Ÿ˜š๐Ÿค’r po?[] we๐Ÿ˜—$%๐Ÿค•r. !๐Ÿ˜ท๐Ÿ˜ท#They ๐Ÿค”[h [ave $:b+๐Ÿ˜‘een ab๐Ÿ˜›!๐Ÿค‘le to agg๐Ÿ˜ƒ$rav๐Ÿ™ƒate@๐Ÿ˜ƒ๐Ÿค’ th?๐Ÿคฃe gro๐Ÿ˜ชtesqueness)๐Ÿค o%๐Ÿ˜œ๐Ÿ˜‹๐Ÿ˜f(๐Ÿค— the ruling ๐Ÿ˜˜๐Ÿ˜—๐Ÿ˜con๐Ÿคฃdi๐Ÿคช๐Ÿ˜‘๐Ÿค”t๐Ÿ˜›ions according ๐Ÿ˜”๐Ÿ˜€to the๐Ÿค”#๐Ÿ˜‹ir w๐Ÿคฃ๐Ÿ™„il๐Ÿ˜ถ๐Ÿคข#๐Ÿคญl. They have ๐Ÿ˜‡`๐Ÿคค_embe%lli๐Ÿ˜œshed ๐Ÿคค๐Ÿ˜ƒtheir system with ๐Ÿ˜‰\t,๐Ÿคคhe funereal ceremonies of ๐Ÿ˜.๐Ÿคฅ๐Ÿคฅ๐Ÿ˜št๐Ÿ˜’๐Ÿคช[he p ๐Ÿคฃast.๐Ÿคช$ ๐Ÿ˜‡๐Ÿ˜‹ใ€€ใ€€Voice 2 .!๐ŸคฃYea๐Ÿคค๐Ÿ˜„. rs-:๐Ÿค•-, like a single instant =;pr๐Ÿ˜†`ol๐Ÿ˜onge][*d to th๐Ÿ˜ฌis p?oint, c๐Ÿ˜™๐Ÿ˜ฌ๐Ÿ˜ถome to an end.ใ€€ใ€€Voic๐Ÿ˜๐Ÿ™ƒ_e 1 What was dire๐Ÿ˜†๐Ÿ˜๐Ÿ˜…ctly๐Ÿ˜Œ[๐Ÿ˜‚; l.๐Ÿ˜†]ived reap๐Ÿ™‚_๐Ÿคข๐Ÿ˜๐Ÿคฎpears f๐Ÿ˜’:roze๐Ÿค‘๐Ÿ˜’๐Ÿ˜ชn in the -๐Ÿคค๐Ÿ˜™๐Ÿค‘di๐Ÿ˜๐Ÿคฅstance,๐Ÿค‘ ๐Ÿ˜’๐Ÿ™ƒfit into the_ tastes+% ๐Ÿ˜„๐Ÿคจ!๐Ÿ˜ถa๐Ÿ™ƒ๐Ÿ™‚nd :๐Ÿคญ๐Ÿค—illusions of an era,๐Ÿ˜_๐Ÿคฎ ca)๐Ÿคr๐Ÿ™„๐Ÿ˜๐Ÿคฃ*๐Ÿ˜‚r๐Ÿฅฐ(ied awa๐Ÿคฅ%๐Ÿ™„y w๐Ÿ˜›ith it๐Ÿ˜˜.ใ€€ใ€€Voice 2 ๐Ÿ˜ The a๐Ÿค•๐Ÿ˜ƒ๐Ÿคญ๐Ÿ˜ดppeara ,๐Ÿ˜_nce ๐Ÿ˜œ\๐Ÿคชof -)๐Ÿ˜„eve๐Ÿคฅ๐Ÿ˜”๐Ÿ˜ทnt๐Ÿคญ-s ๐Ÿคค๐Ÿคฅ๐Ÿคฎthat we h,๐Ÿ˜ท๐Ÿ˜”๐Ÿ˜‹ave n_$ot made๐Ÿ˜”๐Ÿค•, th๐Ÿ˜๐Ÿ˜‘๐Ÿ˜„at o ๐Ÿคฉthers ha๐Ÿ˜˜๐Ÿ˜œve_`%๐Ÿค‘ made aga๐Ÿ˜Šinst us,#๐Ÿค— now#๐Ÿคจ ๐Ÿ˜†๐Ÿ˜ดobliges us t๐Ÿคญ\=,๐Ÿ˜o b=๐Ÿ˜še aware๐Ÿ˜’#)๐Ÿ˜‹ of the (๐Ÿ˜˜passage of tim๐Ÿคฃe^๐Ÿ˜ด, its ๐Ÿ˜‡๐Ÿ˜† r๐Ÿคค$[ esul๐Ÿ˜›๐Ÿคฉ๐Ÿ˜Œ๐Ÿค‘ts, the trans๐Ÿ™ƒ%#f๐Ÿคจ๐Ÿ˜ท๐Ÿ˜ท๐Ÿคชorm๐Ÿ˜˜ation ๐Ÿคซ๐Ÿคซ๐Ÿคขof?๐Ÿ˜‘ our own desires into๐Ÿค•[๐Ÿค๐Ÿ˜- ev_ents\๐Ÿคจ๐Ÿ˜†๐Ÿคฅ .๐Ÿคญ๐Ÿ™„: ๐Ÿ˜‘๐Ÿ˜—Wh;= at differe๐Ÿ˜’nti!ates the๐Ÿคช๐Ÿ˜‹ pas๐Ÿคซ๐Ÿค•๐Ÿ˜„t fro๐Ÿ˜‘m the present is pre๐Ÿคช๐Ÿ˜…cisely ,๐Ÿ™ƒits out-of-reach objectivi๐Ÿ˜˜.ty; there is no ๐Ÿค•$more;๐Ÿ˜ sho.๐Ÿค—๐Ÿคฃ๐Ÿคฎ๐Ÿ˜„uld-be; being is ๐Ÿ˜Œ๐Ÿคญ so consum ๐Ÿค’ed that it has  ceased to exist. The details are al?!๐Ÿ˜๐Ÿ˜‰๐Ÿ˜Šready lo๐Ÿคช)๐Ÿ˜†s๐Ÿคข๐Ÿ˜t๐Ÿ˜‰ in\๐Ÿ˜€๐Ÿ˜œ th#๐Ÿคชe dust of time. W๐Ÿ˜ดho was ๐Ÿ˜๐Ÿ˜๐Ÿ˜„๐Ÿ˜Œ๐Ÿ˜—afraid of๐Ÿ™ƒ๐Ÿ˜”[ li๐Ÿ™‚[๐Ÿ˜‹fe, afr๐Ÿ˜๐Ÿคช๐Ÿ˜ชaid of๐Ÿค—= the ๐Ÿ˜+๐Ÿค•night๐Ÿ™ƒ๐Ÿค’, afraid๐Ÿ˜œ๐Ÿคข of being taken, afr^๐Ÿ˜๐Ÿ˜aid of being๐Ÿคซ[; keptใ€€ใ€€Voice๐Ÿคฅ๐Ÿ˜€ ^ 3@ Wha$๐Ÿค—t shou^+๐Ÿ˜‚ld ๐Ÿ˜‹๐Ÿคญb๐Ÿ˜ƒ๐Ÿ˜ช๐Ÿค๐Ÿ˜œe abo๐Ÿคฎ๐Ÿ˜ฌlis?๐Ÿ˜œhe๐Ÿ™‚d continues, and we ๐Ÿ˜‘๐Ÿ˜‘cont๐Ÿคจ inue๐Ÿคฉ๐Ÿ˜… to wear ๐Ÿ˜ช๐Ÿ˜—๐Ÿ˜œawa๐Ÿค’๐Ÿคฅ๐Ÿ™‚y wi,๐Ÿคฎ๐Ÿค•th๐Ÿ˜ท]- it. We a:re engulf๐Ÿ™ƒ๐Ÿ˜€ed. We are sep.*#arat\๐Ÿ˜˜๐Ÿ˜‹^๐Ÿ˜ed. )๐ŸคฃThe years ๐Ÿ˜ถ๐Ÿ˜€pass ;๐Ÿ˜†and we haven't chan @๐Ÿ˜ged a๐Ÿคฎ๐Ÿ˜™nything.ใ€€ใ€€๐Ÿค•๐ŸคฅVo๐Ÿ˜œ๐Ÿ˜๐Ÿคค๐Ÿค‘ice 2 On๐Ÿ˜„๐Ÿ™ƒ๐Ÿ˜ƒce ag๐Ÿ˜ช๐Ÿ˜™๐Ÿ˜œain๐Ÿ˜„ mo!๐Ÿ˜‰@rni`.ng in๐Ÿ˜ถ_๐Ÿคฎ the sa๐Ÿ˜™.me๐Ÿ˜€ st๐Ÿ˜’reet๐Ÿ˜ถ๐Ÿ™ƒ**s. Once again๐Ÿ˜ถ๐Ÿ˜˜๐Ÿ˜Œ th๐Ÿ˜ช]๐Ÿ˜Œ/e f๐Ÿ˜™๐Ÿ˜‘atigue of=๐Ÿ™‚[๐Ÿคช so๐Ÿคช๐Ÿ™‚ m๐Ÿ˜ƒ๐Ÿ™„an๐Ÿ˜‰.-๐Ÿคฉy similarl y passed nig๐Ÿ˜‹๐Ÿ˜‹hts. ๐Ÿ™ƒ!๐Ÿ˜…It is a walk ๐Ÿค‘:,:that`๐Ÿ˜= has las%ted a ๐Ÿฅฐ๐Ÿ˜‘๐Ÿ˜—long /๐Ÿคฉtime.ใ€€ใ€€V๐Ÿ˜…๐Ÿ˜๐Ÿคฎoice 1 Really!๐Ÿ˜๐Ÿคฅ๐Ÿ˜ฌ hard to drink mo ๐Ÿคช)%r$,e.ใ€€ใ€€Voice 2 Of course one m@!ight๐Ÿค‘๐Ÿ™ƒ^ ma๐Ÿ˜†=ke a f๐Ÿ˜Œ๐Ÿค”\ilm of๐Ÿคฃ๐Ÿคฎ[๐Ÿ˜ it. B\๐Ÿ˜‘ut even if s๐Ÿ™‚๐Ÿคจ๐Ÿค’๐Ÿ˜—๐Ÿคuch a fi`lm succeeds in ๐Ÿคฉbein๐Ÿ˜„g as๐Ÿ˜‘ f)๐Ÿ˜€(undamentally dis:`@c๐Ÿ˜‰onnected and ๐Ÿ˜‘unsatisf๐Ÿ˜œ+๐Ÿค•๐Ÿ˜ying as th๐Ÿ˜ถe reality)-๐Ÿคค it deal+๐Ÿฅฐs with, i`๐Ÿ˜ฌ๐Ÿค•t will never๐Ÿ˜ท be mor]๐Ÿ˜‘๐Ÿฅฐe๐Ÿ˜œ=๐Ÿ˜ท๐Ÿคฅ than a re(#-creat]๐Ÿ˜๐Ÿ˜”ion \โ€ poor a๐Ÿ˜ƒn ๐Ÿคจ๐Ÿ˜˜d ๐Ÿค—๐Ÿ˜†false ๐Ÿ˜๐Ÿ™‚,li+๐Ÿ˜‚ke $;this bo^๐Ÿคฎtched @_traveling๐Ÿ˜ƒ๐Ÿคฉ shot.ใ€€ใ€€Voice 3 Th( ๐Ÿค•๐Ÿ˜”๐Ÿคฃere a[re now p[๐Ÿ˜ƒeople who๐Ÿ˜›๐Ÿคจ p๐Ÿค‘๐Ÿ˜ช๐Ÿค’ride !$ themselves/ on being authors of films, ๐Ÿ˜ดas others were authors๐Ÿคญ๐Ÿ˜…๐Ÿค• of no.๐Ÿ˜[vels\๐Ÿคฅ๐Ÿคข๐Ÿ˜‡. They ๐Ÿ˜—๐Ÿคฉ๐Ÿ˜…%are even more@ b๐Ÿ˜‰ackwa-๐Ÿฅฐ;(rd than the noveli=๐Ÿคซ๐Ÿ˜—๐Ÿ˜ทsts becaus๐Ÿ˜ดe๐Ÿ˜ƒ๐Ÿ˜š๐Ÿ™‚ t๐Ÿ˜ท ๐Ÿ˜ถhey are unaware o๐Ÿ˜๐Ÿคจf t.๐Ÿ˜he \๐Ÿ˜Œ๐Ÿ˜‹decompositi๐Ÿค—๐Ÿ˜:on and exhaustio๐Ÿ˜/n of ๐Ÿ˜—\ individual.*๐Ÿ˜ด๐Ÿ˜ช ๐Ÿ˜—๐Ÿคขexpr-๐Ÿคญe๐Ÿ˜‹;ssion in our time,๐Ÿ™‚๐Ÿ˜‚๐Ÿ˜œ(+ ignora๐Ÿค’๐Ÿคฃ๐Ÿ˜…๐Ÿ˜‰*nt of the end๐Ÿ˜†๐Ÿ˜ƒ\ of๐Ÿ˜๐Ÿ˜ƒ) the arts of passivity._= They, are๐Ÿคฅ๐Ÿ˜œ p๐Ÿ˜ท๐Ÿ˜‘raise,๐Ÿคฉd fo/๐Ÿ˜‚^r their sincerity sinc.๐Ÿ˜›e_๐Ÿ˜‹๐Ÿ™„ they๐Ÿค”_\ dramatize, wi)๐Ÿคซth$๐Ÿ˜†๐Ÿคช more personal depth, the con ?vent ๐Ÿ˜›๐Ÿ˜Š๐Ÿ˜›ions o๐Ÿ˜ชf which t๐Ÿ˜‹๐Ÿค•heir ๐Ÿ˜‹[l๐Ÿคญ%๐Ÿ˜‰ife consists. Ther๐Ÿค‘ !+e ๐Ÿ˜ฌ๐Ÿ˜๐Ÿ˜›is talk of the ๐Ÿ˜š#๐Ÿ˜›๐Ÿ˜„l๐Ÿ˜ด๐Ÿ˜ถi๐Ÿ˜ท๐Ÿฅฐ๐Ÿ˜ฌberation๐Ÿ˜ด[๐Ÿคฃ o๐Ÿ˜€๐Ÿคญ๐Ÿ˜‘๐Ÿ˜‰f the =๐Ÿคชc,+-inema. But what ๐Ÿคฅ does i๐Ÿ™„๐Ÿค’t matte(๐Ÿ˜Šr to us if `,๐Ÿ˜?on๐Ÿค•๐Ÿค‘e m$๐Ÿ˜ดore art๐Ÿ˜๐Ÿคซ๐Ÿคฅ#๐Ÿ™„ ๐Ÿ˜†is liberat๐Ÿคฃed thr๐Ÿ˜๐Ÿ˜o๐Ÿ˜Š$,@=ug:h which ๐Ÿค’๐Ÿ˜‚Tom, D๐Ÿคค๐Ÿคช!;ick o๐Ÿคค๐Ÿ˜‹๐Ÿ˜š r ๐Ÿ™‚๐Ÿค‘๐Ÿ˜๐Ÿ˜†๐Ÿ™‚Harry๐Ÿ˜†๐Ÿคช ca๐Ÿค•] n๐Ÿ˜œ%๐Ÿ˜‚ jo๐Ÿคข$yous๐Ÿ˜ด๐Ÿค‘+๐Ÿ˜‰l๐Ÿ˜๐Ÿ˜€y exp@-ress t๐Ÿ˜œheir๐Ÿ˜‚๐Ÿ˜š๐Ÿคฅ s๐Ÿ˜’๐Ÿคlavish sentiments The onl๐Ÿ˜ฌ๐Ÿฅฐ๐Ÿ˜’y intere๐Ÿ˜‹,๐Ÿคจ@sting venture is @?๐Ÿ˜›๐Ÿ˜†the ๐Ÿ™ƒ liberation of๐Ÿ˜š; ๐Ÿคจever๐Ÿ˜—,yda๐Ÿ™„+y l^๐Ÿ˜๐Ÿ˜‘ife, n๐Ÿฅฐ๐Ÿคขot๐Ÿ˜ถ:/๐Ÿ˜‹ only in the๐Ÿค p๐Ÿคฉ๐Ÿ˜Šerspec๐Ÿคซ๐Ÿ˜Œ๐Ÿ˜‹ti๐Ÿค•ves of histo๐Ÿ˜†๐Ÿ˜ท_ry but for us ๐Ÿ˜๐Ÿ˜๐Ÿ˜‰and rig๐Ÿคคht away. ๐Ÿ˜ถ๐Ÿ˜๐Ÿ˜๐Ÿคข๐ŸคญThis ๐Ÿค’@e๐Ÿคฅntails the ๐Ÿคฅ๐Ÿค‘๐Ÿคฃ๐Ÿคฅ๐Ÿค—wither๐Ÿ˜ท๐Ÿ˜™i๐Ÿคจ๐Ÿ˜˜ng away o๐Ÿ˜ช๐Ÿคซ]f alienated form,๐Ÿ˜†:s of com_!municati๐Ÿ˜ด๐Ÿ˜ƒon. ]๐Ÿคซ(_๐Ÿค”The cin@๐Ÿ˜‰ema๐Ÿค—๐Ÿ˜š๐Ÿ™ƒ๐Ÿคค๐Ÿ˜ช, too,๐Ÿค”+๐Ÿ˜… ha$ ๐Ÿ˜^๐Ÿ˜˜s๐Ÿ˜Š๐Ÿ˜ช- to be destr.๐Ÿคซ๐Ÿ˜Šoye?๐Ÿ˜˜๐Ÿ˜”d.ใ€€ใ€€Voice 2 In t*h]``e final a๐Ÿฅฐ๐Ÿ˜ฌ/๐Ÿคฃnal๐Ÿ˜ช:ysis, stars  are cre๐Ÿ˜at๐Ÿ˜ช-ed by t ๐Ÿคฅ๐Ÿ˜ถhe ๐Ÿค”=ne๐Ÿ˜๐Ÿ˜„๐Ÿ™„e๐Ÿ˜Š%]d]๐Ÿ™ƒ\๐Ÿฅฐ we ha๐Ÿฅฐ๐Ÿฅฐve]:๐Ÿค‘ for t๐Ÿคฉhem, )๐Ÿค•๐Ÿ˜™and n๐Ÿค•`ot by t?heir talen๐Ÿค”๐Ÿ˜๐Ÿ˜œ๐Ÿ˜ทt or lack of tal^๐Ÿคข๐Ÿ˜ฌent or even by ๐Ÿ™‚the๐Ÿคญ๐Ÿคซ ๐Ÿคฎ๐Ÿ˜›๐Ÿค—film ๐Ÿ˜„๐Ÿ˜‰^(industry or๐Ÿค@๐Ÿ˜Š๐Ÿคฉ advertisi)๐Ÿ˜„๐Ÿคญ@ng. M๐Ÿ˜ฌ๐Ÿคฎiserable n๐Ÿ˜”`eed, ๐Ÿคซ๐Ÿ˜‹๐Ÿ˜dis#๐Ÿค‘]mal, anon๐Ÿ˜˜y%^m)๐Ÿ˜ous li๐Ÿ˜›๐Ÿค•fe t@?hat?๐Ÿ˜Š would l๐Ÿ˜šike[๐Ÿ˜˜๐Ÿ˜ to expand itself to the d๐Ÿคซimen/si๐Ÿ˜€ons of ๐Ÿค•๐Ÿคci=๐Ÿค—nema# ๐Ÿ˜ท๐Ÿ˜๐Ÿ˜‘life. Th๐Ÿ˜š๐Ÿคจ)@e imagin/ ary life on th๐Ÿ˜Š๐Ÿ˜ทe screen is the product of๐Ÿ˜š๐Ÿ˜€๐Ÿค•, this rea#๐Ÿคคl ๐Ÿ˜‚?need. The star is๐Ÿ˜…๐Ÿ˜‘ the๐Ÿ˜‡ * projection of )th๐Ÿ˜˜๐Ÿ˜‚:is #\๐Ÿ˜™need.ใ€€ใ€€The im๐Ÿคจ ^๐Ÿ˜™ages of the๐Ÿคซ ! advertise๐Ÿคซ๐Ÿ˜€ments durin๐Ÿ˜œ๐Ÿ˜ท๐Ÿคญg๐Ÿคฃ๐Ÿ™ƒ๐Ÿ˜๐Ÿ˜` the intermission\๐Ÿ™„๐Ÿ˜‹s ๐Ÿคฃ๐Ÿค‘are mo_๐Ÿ™ƒ;๐Ÿ˜€re ๐Ÿ˜ƒsu?+๐Ÿ˜ช๐Ÿคญited t๐Ÿ˜ด[han any othe๐Ÿคจ๐Ÿ˜rs for evo*king an ๐Ÿ™ƒ๐Ÿ˜‘+๐Ÿ˜intermissio๐Ÿ˜‚.n of[ life.ใ€€ใ€€ ๐Ÿ˜‚T๐Ÿ˜š๐Ÿ™ƒ\=o๐Ÿค—๐Ÿคฉ๐Ÿฅฐ really ๐Ÿ˜describe this era it๐Ÿ˜€( would no doubt be necess,$]ary to show many other things;๐Ÿ˜ช. But w!ha)๐Ÿ˜’t ๐Ÿ˜„๐Ÿ˜ฌ[would ๐Ÿ˜‚^be the point๐Ÿ˜‰%๐Ÿ˜—ใ€€ใ€€B.etter to g๐Ÿคr๐Ÿคช+a๐Ÿค‘๐Ÿ˜€^,sp t-+๐Ÿ˜ƒ#he totality o,๐Ÿค•f what ๐Ÿ˜„๐Ÿค”h๐Ÿ˜‡/as;๐Ÿคญ๐Ÿ˜‹๐Ÿคฃ been d๐Ÿ™ƒ๐Ÿ˜›one and ๐Ÿคญ๐Ÿ˜˜๐Ÿ˜ช๐Ÿคซwha$๐Ÿคคt r_๐Ÿ™ƒ๐Ÿ˜’emains ๐Ÿคฎto ๐Ÿ˜˜ be don๐Ÿ™ƒe๐Ÿ˜—` tha๐Ÿ˜‚๐Ÿ˜‘n(๐Ÿ˜ถ to๐Ÿ˜’/๐Ÿ˜Š add ,๐Ÿ˜ถ*more -\ruins to ๐Ÿ˜ถ๐Ÿค‘!t๐Ÿ˜๐Ÿ˜˜๐Ÿ˜”๐Ÿฅฐhe๐Ÿค•๐Ÿค’ o๐Ÿ˜‹๐Ÿ˜ƒ๐Ÿ˜ฌl๐Ÿ˜๐Ÿ˜‚d world^@๐Ÿคญ๐Ÿ˜ of the spe๐Ÿ˜˜๐Ÿ˜c[๐Ÿคtacle !๐Ÿค‘๐Ÿ™‚and of m๐Ÿ˜๐Ÿ™ƒe๐Ÿ˜˜๐Ÿ˜‰=๐Ÿ™„๐Ÿ˜ฌmor๐Ÿ˜™:๐Ÿ™‚ies.ใ€€*๐Ÿค”ใ€€1๐Ÿ˜๐Ÿ˜ช. This $๐Ÿค—/film, which๐Ÿ˜‰๐Ÿคจ๐Ÿ˜๐Ÿ˜‹๐Ÿคฅ evoke!^๐Ÿ˜†๐Ÿ˜‡s th๐Ÿ˜…e๐Ÿ˜’๐Ÿ˜˜ let๐Ÿคญ๐Ÿ˜’trist ๐Ÿ˜ถ#ex:$;periences at๐Ÿ˜‰๐Ÿ˜‰๐Ÿ˜Œ^๐Ÿ˜˜ the or๐Ÿคฃ*๐Ÿ˜†igin of th๐Ÿ˜ถ๐Ÿ˜œ_;e ๐Ÿคค+situati[on๐Ÿค?i/st movem๐Ÿ˜Œ๐Ÿ˜Œ*๐Ÿ˜—๐Ÿ˜’ent๐Ÿ™‚:_,๐Ÿ˜‡. opens with ๐Ÿ˜œ@๐Ÿ˜€)๐Ÿ˜—shots of the ?+Paris+๐Ÿ˜ ๐Ÿ™„_^dis^๐Ÿ˜…]trict fr๐Ÿ˜ eq๐Ÿคฃ,ue๐Ÿ˜—๐Ÿ˜™=nted by t๐Ÿคข he lettris[๐Ÿคฉ๐Ÿ˜—+ts in ,๐Ÿคฃ`๐Ÿ˜€the e#๐Ÿ™„๐Ÿคขarly๐Ÿ˜’ 1950s.
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