A lovin🤭 _[g
😊😛😪film tri +bute to; ] 🤤😙Rus🤢🤢
si@😅😷an film😍😊!m^ aker La$risa Shepitk🤕🤩#
😊o, 😷who😙 died tragic😐all😘 \🙄y in 😗😊]a  😐car accident i,n 1979 at the age of 40. Th😐[🤪is d😝`😔😛o🤮😷😛😁😐cumentary by her h🤕%usban$:😅d, El)#/em😶🙄 Kl;) %?imov, includes excerpts 🤤🙄from all😍 o😄😐😉f😛🤔😷 Shepi,😌😶[tko's films,🤒, 🤫and h\🤒er+😶. :ow😏🤣n voic🙃🥰e is hea🤒rd talkin😅+🤩!g ab🙂😅out😊😇 her life and 🙂😝art.　　Elem Klimov🤨🙄['s gri😋🤢\ef-stricke !n😘
😐+ elegy Larisa exa[😁mines th😂!😗😚e li😜😑!fe of his late wife—the film d🤗;ire🤒🤑😇🤨c😛`😇😅tor Lari.😴🤭`sa S#🥰🤪h😒😆epit
ko😊—😚😷#😌t🤪😋😁hrou😆g😌,😂h a se🤣/🤑😅ries of direct-a😀🤮😑😚ddres😴s 😀inte 😑🤩r%🤗🤭view😚=😋=s and 😝==photomon^🥰ta🤨🤮😌ges, set ag😄$ainst ;🤭🤪a mour?😇nful visual😗-m🤮😚🤒u 🤐sical !😪🙄backdrop. Ty😂😇pi😛#😅😊c😶😂😋🥰a😆😅🥰😋lly, Klimov film😁^s hi/s subjects (which🤭🙃]😀 in]🤫😂😉clu🤐😃d🙂😂😍e himself _😇+?🤒and several of Shepit🤢😃@🙂ko's  !🤗😝collaborators) wi.=😬😄thi😊)-;n a sta+😇😋r😬?😙k😑🙂😚
, =🤣sn🥰😀😃ow-cover😏 ;🤪ed forest, its tang+(😁😋😒led w😋🙂🤪eb🤮😂🤨😁 of tre😍-e/s* stan:🤭din)😪g in as m😑😇$etaphorical r🤭
epr🤔😘🤪#😉esentati😌😇_😆_on of a_ p😉🤐😐%e😙😝rhaps inexpressible suffering, 🙄😋😏🤤😜the result of Shepitko's 😗prematu😜😚%re d🤪🤭😒@eath wh🤥^@ile film🤨;]ing her🤢😁 adaptat😐🙄😀^ion 🤕😝of Val🤭🤕🤔,en;😆tin Rasputin's😜%😑😚 novella Far😇$😊ew#ell 😂-to [$😔😏Maty🤭.ora. Interweaving(😅😆😶 😂🙄)h🙂🥰ome
mov🤐😉/ie footag🤢=e with se🤒=quences from@😄😙 😂Shepitko's 😀😀work 😑😆😗((Maya Bulgako!,va😂🙄's 🤗😷%(pens😃🤒i🤮😶😙ve p😌%lane crash 😀😁😌🤭@reminiscence from Wing🤮😒🤢s takes on\
🤪😇 several _\😏@new layers 😴+.o
$😒f 😛🤗😴reson😋😉😂an@#$🤢@ce in this😷 😁#😊🤥context),?😇(^ Laris😘%a's most.😂 😜powerful passage is 🤪😴🤨it😙#s 🤕first acc?+🤭ompa]😄🤗 nied b😶🙃🤐$y😪😑 the gr😐=😘😄andi//ose final music cue fr*😋🥰om Sh epitko's You a/🤑nd I🤮🤫$, Klimov dissolves between😜\- a series of per🤨😊so🙃😃nal_🤣+🙂 ph😝🤣😁ot🤣😀\og(🤤😍raphs that encompass Lar😴🤫🤒😜
isa's🤪🤑
🤫 entire life, f^🥰😪ro🤤_m 😀@birth to de`😚ath🤫😝🤑🙄. Thi😘`😂s br😐🤗ief s:ymphony o🤩,😄f😶,/ sorro🤒😬`w 😒:%anticipate🤫😊s the🤣😝 ]
_😪ca😜\thartic 🤕@ reverse-(]motion 🙂😄🤪😇climax of ?🤩🤫K🤣😛limov'🤪🙃s 😍🤪^Come and See, 😘$@though by p😒(lacing😪🙃 the 🤕scene fi_🤗rs😘t 😴🥰😜within Larisa's 🙂*😏😝chronology, Kli😌- mov .s-eems t@😆-_o 🤕*be workin😒🤮😑!g)_= a`😛😀gainst catharsis. The +🙃🤕😗pain🤫😑 #🤒😄is .cle🤗arly fresh🤨😋@, the wound sti🤗🤐?ll festering, \🤣😙$😴and Klimov wants—above a/(ll— 🤮🤪=\to ca%😃😆%pture how d=`😑😆e=;🤪)ep mi🤗,sery's knife has 😝!😔_cut.