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阿蒂米๐Ÿ˜—๐Ÿค’德的膝盖HD中字
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阿蒂米๐Ÿ˜—๐Ÿค’德的膝盖

Andrea,Bacci,Dario,Marconcini

ๅนดไปฝ2008
ๅœฐๅŒบ意大利 法国
่ฏญ่จ€意大利语
ๅฏผๆผ”让-马里ยท斯特劳布

ๅ‰งๆƒ…็ฎ€ไป‹

For Le Gen+-ou ๐Ÿ˜›[d'A๐Ÿคฅ# rtemide Je๐Ÿคฎ๐Ÿ˜‹๐Ÿ˜œan-Marie ๐Ÿ˜›๐ŸคขStraub once again chose a%๐Ÿคฃ๐Ÿ˜‰๐Ÿ˜… dialogue by Cesare Pav๐Ÿ˜›. ese. And ๐Ÿ˜‡ ๐Ÿ˜๐Ÿ˜„not ju๐Ÿ˜†๐Ÿ˜—๐Ÿ˜=st a๐Ÿคซ๐Ÿคฉn๐Ÿ˜[๐Ÿ˜y di๐Ÿ™ƒ๐Ÿคคa๐Ÿ˜œ./logu๐Ÿคฉe, !๐Ÿ˜but one that tears open a painful, mys+๐Ÿ˜๐Ÿ™‚tical abyss๐Ÿ˜€ ๐Ÿค•๐Ÿ˜ทbetween love an%๐Ÿค‘d the๐Ÿ˜ฌ๐Ÿคฎ *one left beh๐Ÿ˜†in๐Ÿคซ+d. The !film๐Ÿค”! is ^๐Ÿ˜‹one si๐Ÿ˜‹$:ngle \๐Ÿค,exhil๐Ÿคฅ๐Ÿ˜‘ara๐Ÿ˜‹๐Ÿ˜‡๐Ÿคฅt๐Ÿคion a%๐Ÿ˜˜๐Ÿค‘nd o๐Ÿคซ\๐Ÿค’๐Ÿ˜‘ne๐Ÿ˜’ single r๐Ÿค”๐Ÿ˜’๐Ÿคฉush, a s๐Ÿคpell and d๐Ÿ˜ด)๐Ÿ˜†๐Ÿ˜ถis(^/persion ๐Ÿค•`;๐Ÿ™„in.๐Ÿ˜…๐Ÿค;to! ๐Ÿคฅ nature. It rises from -_๐Ÿ™„a dar๐Ÿ˜‡@%k screen ๐Ÿ˜ชand ch๐Ÿคคant to๐Ÿ˜†๐Ÿ˜ด disappe@ar ๐Ÿ™„in the woods ๐Ÿ˜€๐Ÿ™‚with๐Ÿ˜‚๐Ÿ˜_ the ๐Ÿ˜๐Ÿ˜™\whisper of the๐Ÿ˜‰๐Ÿ˜ท๐Ÿคญ. wi๐Ÿ˜ฌ๐Ÿ™„+nd. It h๐Ÿค”^/as li๐Ÿ˜ถ๐Ÿ™„๐Ÿ™ƒttle to do with ๐Ÿ˜‚๐Ÿ˜ด๐Ÿ˜‚wh=`at is ge๐Ÿค•nera๐Ÿคฃ\l,\๐Ÿ˜Šly ca๐Ÿ˜!lled =(-ยซc.inema+๐Ÿ˜๐Ÿ™‚๐Ÿฅฐยป(๐Ÿค‘. It has ๐Ÿคช๐Ÿ˜ช!๐Ÿ™‚๐Ÿคชone๐Ÿคซ๐Ÿค๐Ÿ˜‘๐Ÿค‘ fo๐Ÿ˜ช๐Ÿคค$ ot in the๐Ÿค wor๐Ÿ˜ช)l๐Ÿ˜œ!d be#)?.^y * ond.๐Ÿ˜ถ๐Ÿ˜’๐Ÿ˜ ๐Ÿ˜€๐Ÿ˜€]๐Ÿค• ๐Ÿ˜Š๐Ÿคซ๐Ÿ˜ท ๐Ÿ˜€[ +;๐Ÿ˜‰๐Ÿคฃ ๐Ÿคช ๐Ÿ˜š ๐Ÿ™„๐Ÿ˜๐Ÿคฃ `)๐Ÿ™‚๐Ÿ˜/ ๐Ÿคช ๐Ÿคข๐Ÿ˜Nature has๐Ÿค—๐Ÿ˜…๐Ÿ˜‚@ ten !m.๐Ÿ˜ถillion times the  $:๐Ÿคim๐Ÿคฅaginatio!๐Ÿค๐Ÿ˜†๐Ÿ˜€๐Ÿ™„n o๐Ÿ˜—๐Ÿค•f th^e mos๐Ÿ˜œ๐Ÿคญ๐Ÿ˜˜t im๐Ÿค”๐Ÿ˜ฌ๐Ÿ˜—๐Ÿค—agina๐Ÿ˜‚tive of art๐Ÿคญ๐Ÿ˜ists. (Jean-Marie Str_ ๐Ÿ˜ฌaub)
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